Sounds of fear: Sonic ecologies and perceptions of crime

This article examines how sound shapes fear and perceptions of safety in the built environment, arguing for the integration of sonic dimensions into criminological research. Drawing on recontextualised qualitative data, supplemented by audio field recordings and photographs, we revisit participant-identified sites to explore how auditory cues mediate experiences of unease and security. Methodologically, the article advances an innovative, participant-directed, multi-sensory approach that combines secondary qualitative analysis with situated sonic and visual methods. The analysis highlights the affective role of sonic environments – from familiar residential quiet to ‘sounds out of place’ – and develops three analytic dualisms: experiential and expressive, quiet and silence, and thick and thin places. In doing so, the article foregrounds fear of crime as a situated, sensory, and atmospheric experience shaped through sonic encounters with place.

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Publication Details

Journal
Crime Media Culture An International Journal
Published
2026-09-24
DOI
https://doi.org/10.1177/17416590261482098
Primary Topic
Law in Society and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Sounds of fear: Sonic ecologies and perceptions of crime

Alex Simpson, Murray Lee, Carolyn McKay
Crime Media Culture An International Journal
Law in Society and Culture
article

Sounds of fear: Sonic ecologies and perceptions of crime

Alex Simpson, Murray Lee, Carolyn McKay
article en

Abstract

This article examines how sound shapes fear and perceptions of safety in the built environment, arguing for the integration of sonic dimensions into criminological research. Drawing on recontextualised qualitative data, supplemented by audio field recordings and photographs, we revisit participant-identified sites to explore how auditory cues mediate experiences of unease and security. Methodologically, the article advances an innovative, participant-directed, multi-sensory approach that combines secondary qualitative analysis with situated sonic and visual methods. The analysis highlights the affective role of sonic environments – from familiar residential quiet to ‘sounds out of place’ – and develops three analytic dualisms: experiential and expressive, quiet and silence, and thick and thin places. In doing so, the article foregrounds fear of crime as a situated, sensory, and atmospheric experience shaped through sonic encounters with place.

Crime Media Culture An International Journal
The University of Sydney (AU), Macquarie University (AU)
Openalex Percentile: Top 2%
Law in Society and Culture
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