Siloed inclusivity: risk, representation and debate in national museums

This paper argues that risk-aversion produces siloed inclusivity, where multiple perspectives coexist without dialogue. Drawing on the New Museology, which positioned museums as forums for debate, it interrogates whether these aspirations are realised in practice. Using the Australian National Maritime Museum's Encounters 2020 programme, the paper explores how national museums negotiate the ideal of fostering participation and debate against pragmatic demands of governance, funding, and public expectations of neutrality. Analysis, through the lens of agonistic engagement, reveals that while diverse viewpoints were represented, they were rarely allowed to interact. Instead, the museum distanced itself from contentious narratives and tightly controlled conditions for dialogue. Findings underscore a critical tension: the desire to appear inclusive while avoiding the unpredictability of conflict. Framing inclusivity as representation rather than interaction risks undermining museums’ potential as civic spaces for debate. The paper calls for renewed commitment to move inclusivity beyond representation towards meaningful engagement.

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Publication Details

Journal
Museum Management and Curatorship
Published
2026-09-24
DOI
https://doi.org/10.1080/09647775.2026.2694990
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
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article

Siloed inclusivity: risk, representation and debate in national museums

Anna Lawrenson
Museum Management and Curatorship
Museums and Cultural Heritage
article

Siloed inclusivity: risk, representation and debate in national museums

Anna Lawrenson
article en

Abstract

This paper argues that risk-aversion produces siloed inclusivity, where multiple perspectives coexist without dialogue. Drawing on the New Museology, which positioned museums as forums for debate, it interrogates whether these aspirations are realised in practice. Using the Australian National Maritime Museum's Encounters 2020 programme, the paper explores how national museums negotiate the ideal of fostering participation and debate against pragmatic demands of governance, funding, and public expectations of neutrality. Analysis, through the lens of agonistic engagement, reveals that while diverse viewpoints were represented, they were rarely allowed to interact. Instead, the museum distanced itself from contentious narratives and tightly controlled conditions for dialogue. Findings underscore a critical tension: the desire to appear inclusive while avoiding the unpredictability of conflict. Framing inclusivity as representation rather than interaction risks undermining museums’ potential as civic spaces for debate. The paper calls for renewed commitment to move inclusivity beyond representation towards meaningful engagement.

Museum Management and Curatorship
The University of Sydney (AU)
Openalex Percentile: Top 2%
Museums and Cultural Heritage
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Siloed inclusivity: risk, representation and debate in national museums — Anna Lawrenson · Museum Management and Curatorship (2026) | TGRS Research Map | TGRS