On Beauty and Expressions of Augenblick: A Treatise on Painting
{"ABSTRACT":[0],"This":[1,180],"treatise":[2,59,143],"advances":[3],"a":[4,68,106,185],"theory":[5],"of":[6,16,21,28,76,95,140,147,167,212,228,239],"painting":[7,235],"centered":[8],"on":[9],"the":[10,14,26,30,48,58,74,83,89,93,109,116,135,138,145,148,161,164,189,195,217,226,229,237],"Augenblick—Kant's":[11],"term":[12],"for":[13],"blink":[15],"an":[17],"eye,":[18],"that":[19,37,64,82,102,225],"moment":[20,94],"sudden,":[22],"overwhelming":[23],"clarity":[24],"at":[25],"threshold":[27],"something":[29],"mind":[31],"cannot":[32],"contain.":[33],"The":[34,142,199],"work":[35,200],"argues":[36],"art's":[38],"highest":[39],"function":[40],"is":[41,66,86,120,169,182],"not":[42,67,233],"representation":[43],"but":[44,73,236],"encounter:":[45],"to":[46,87,209],"make":[47],"unknowable":[49],"experienceable":[50],"rather":[51,125],"than":[52,126],"known.":[53],"Across":[54],"eight":[55],"interconnected":[56],"essays,":[57],"develops":[60],"several":[61],"key":[62],"propositions:":[63],"beauty":[65],"quality":[69],"residing":[70],"in":[71,92],"objects":[72],"bravery":[75],"facing":[77],"what":[78,168],"could":[79],"overwhelm":[80],"us;":[81],"painter's":[84],"task":[85],"capture":[88,104],"cognitive":[90],"grasp":[91],"its":[96],"occurrence,":[97],"before":[98],"it":[99],"fades;":[100],"and":[101,128,157,171,216,222],"this":[103],"demands":[105],"specific":[107],"methodology—what":[108],"Spanish":[110],"Baroque":[111],"masters":[112],"called":[113],"manera":[114],"abreviada,":[115],"abbreviated":[117],"manner—where":[118],"paint":[119],"put":[121],"down":[122],"with":[123],"force":[124],"caressed,":[127],"every":[129],"additional":[130],"stroke":[131],"risks":[132],"retreat":[133],"from":[134,188],"Augenblick":[136,230],"into":[137,177],"safety":[139],"completeness.":[141],"articulates":[144],"position":[146],"\\"emphatically":[149],"empathic":[150,175],"witness\\"—a":[151],"third":[152],"stance":[153,181],"between":[154],"aesthetic":[155],"distance":[156],"emotional":[158],"dissolution,":[159],"where":[160],"painter":[162],"feels":[163],"full":[165],"weight":[166],"seen":[170],"stays":[172],"anyway,":[173],"transmuting":[174],"reception":[176],"emphatic":[178],"mark-making.":[179],"traced":[183],"through":[184,194],"lineage":[186],"extending":[187],"nineteenth-century":[190],"Russian":[191],"pedagogical":[192],"tradition":[193],"author's":[196],"own":[197],"practice.":[198],"concludes":[201],"by":[202],"examining":[203],"how":[204],"these":[205],"painterly":[206],"principles":[207],"connect":[208],"broader":[210],"questions":[211],"cognition,":[213],"pattern":[214],"recognition,":[215],"structural":[218],"grammar":[219],"underlying":[220],"strategic":[221],"creative":[223],"thought—suggesting":[224],"discipline":[227],"may":[231],"illuminate":[232],"only":[234],"nature":[238],"insight":[240],"itself.":[241]}
Authors
- Alexey Steele
Publication Details
- Journal
- Zenodo (CERN European Organization for Nuclear Research)
- Published
- 2026-09-21
- DOI
- https://doi.org/10.5281/zenodo.22878127
- Primary Topic
- Art, Aesthetics, and Perception
- Type
- preprint