Assertion and Argument: Reexamining Happiness in Camus's The Myth of Sisyphus

Albert Camus’s The Myth of Sisyphus culminates in its most frequently cited assertion: “One must imagine Sisyphus happy.” This paper critically evaluates whether the essay substantiates this conclusion or merely posits it. Camus introduces the concept of philosophical suicide, a leap wherein a thinker, having reached the boundaries of reason, transcends these limits to arrive at an unconditioned conclusion, thereby compromising the clarity demanded by the absurd. He identifies this phenomenon in the works of Kierkegaard, Chestov, and Husserl. This paper contends that a similar structure is evident in Camus’s own conclusion, as it transitions from Sisyphus’s acceptance of his fate to his proclaimed happiness. Following an analysis of Camus’s definition of philosophical suicide and a thorough examination of the argument developed in the essay’s central sections, the paper scrutinizes specific instances in the final chapter where the essay’s assertive confidence exceeds what has been demonstrated. Subsequently, it considers the most robust defenses of the conclusion and argues that neither adequately bridges the identified gap. While the essay's diagnosis of the absurd remains compelling, its concluding line performs the very evasion Camus critiques elsewhere.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-09-19
DOI
https://doi.org/10.5281/zenodo.22843906
Primary Topic
Philosophy, Ethics, and Existentialism
Type
preprint
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Assertion and Argument: Reexamining Happiness in Camus's The Myth of Sisyphus

Arnav Gupta
Zenodo (CERN European Organization for Nuclear Research)
Philosophy, Ethics, and Existentialism
preprint

Assertion and Argument: Reexamining Happiness in Camus's The Myth of Sisyphus

Arnav Gupta
preprint en

Abstract

Albert Camus’s The Myth of Sisyphus culminates in its most frequently cited assertion: “One must imagine Sisyphus happy.” This paper critically evaluates whether the essay substantiates this conclusion or merely posits it. Camus introduces the concept of philosophical suicide, a leap wherein a thinker, having reached the boundaries of reason, transcends these limits to arrive at an unconditioned conclusion, thereby compromising the clarity demanded by the absurd. He identifies this phenomenon in the works of Kierkegaard, Chestov, and Husserl. This paper contends that a similar structure is evident in Camus’s own conclusion, as it transitions from Sisyphus’s acceptance of his fate to his proclaimed happiness. Following an analysis of Camus’s definition of philosophical suicide and a thorough examination of the argument developed in the essay’s central sections, the paper scrutinizes specific instances in the final chapter where the essay’s assertive confidence exceeds what has been demonstrated. Subsequently, it considers the most robust defenses of the conclusion and argues that neither adequately bridges the identified gap. While the essay's diagnosis of the absurd remains compelling, its concluding line performs the very evasion Camus critiques elsewhere.

Zenodo (CERN European Organization for Nuclear Research)
Philosophy, Ethics, and Existentialism
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Assertion and Argument: Reexamining Happiness in Camus's The Myth of Sisyphus — Arnav Gupta · Zenodo (CERN European Organization for Nuclear Research) (2026) | TGRS Research Map | TGRS