Governing voices: self-gatekeeping and the negotiation of creative labour on Chinese audio platforms

Audio-based platforms remain underexplored in research on platform governance and creative labour, despite their growing cultural and economic significance and the distinct governance challenges of voice-mediated environments. This study examines how creators navigate overlapping governance pressures on Chinese audio platforms. The findings identify three interrelated dynamics: identity uncertainty shaped by visibility, contractual dependence, and economic precarity; self-gatekeeping as a creator-level response to regulatory, platform and commercial pressures; and a persistent grey zone in which legitimate creation and potential violation are recontinuously negotiated. Experiences within the grey zone, in turn, inform subsequent risk assessment and self-gatekeeping. By developing self-gatekeeping as a creator-centred governance mechanism, the study shows how governance becomes embedded in everyday creative decision-making and how the affordances of audio intensify the interpretive labour involved in this process.

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Publication Details

Journal
Media International Australia
Published
2026-09-19
DOI
https://doi.org/10.1177/1329878x261489388
Primary Topic
Digital Economy and Work Transformation
Type
article
Field-Weighted Citation Impact
0.00
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article

Governing voices: self-gatekeeping and the negotiation of creative labour on Chinese audio platforms

Yiming Chen, Miao Yu, Jingyi Lu, Pengyun Lu
Media International Australia
Digital Economy and Work Transformation
article

Governing voices: self-gatekeeping and the negotiation of creative labour on Chinese audio platforms

Yiming Chen, Miao Yu, Jingyi Lu, Pengyun Lu
article en

Abstract

Audio-based platforms remain underexplored in research on platform governance and creative labour, despite their growing cultural and economic significance and the distinct governance challenges of voice-mediated environments. This study examines how creators navigate overlapping governance pressures on Chinese audio platforms. The findings identify three interrelated dynamics: identity uncertainty shaped by visibility, contractual dependence, and economic precarity; self-gatekeeping as a creator-level response to regulatory, platform and commercial pressures; and a persistent grey zone in which legitimate creation and potential violation are recontinuously negotiated. Experiences within the grey zone, in turn, inform subsequent risk assessment and self-gatekeeping. By developing self-gatekeeping as a creator-centred governance mechanism, the study shows how governance becomes embedded in everyday creative decision-making and how the affordances of audio intensify the interpretive labour involved in this process.

Media International Australia
Lingnan University (HK), Xi’an Jiaotong-Liverpool University (CN)
Peace, Justice and strong institutions
Openalex Percentile: Top 4%
Digital Economy and Work Transformation
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Governing voices: self-gatekeeping and the negotiation of creative labour on Chinese audio platforms — Yiming Chen, Miao Yu, et al. · Media International Australia (2026) | TGRS Research Map | TGRS