Swimming, Masculinity and Cinema in Gilles Lellouche’s Le Grand Bain (2018)

Le Grand Bain, a feature film directed by Gilles Lellouche and released in 2008, was highly praised in the French press for its attempt to challenge traditional hegemonic masculinity. Its story follows eight middle-aged men in professional or emotional crisis who set themselves a challenge: to win the male synchronized swimming world championship. Through the humorous contrast between the male characters and a sport culturally reserved for girls, this film offers an opportunity to study the current trend of redefining masculinity, especially in a sports domain that is often accused of having an essentialist understanding of the differences between the sexes. This comedy serves as a counterpoint to the predominantly feminist research in gender studies, shedding light on the ‘decline of masculinity’ lamented by some. A contextual study and analysis of the attempts of the director to deconstruct traditional masculinity demonstrate the metaphorical meanings of water in the transmission of certain human values.

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Publication Details

Journal
The International Journal of the History of Sport
Published
2026-09-17
DOI
https://doi.org/10.1080/09523367.2026.2734115
Primary Topic
Sports, Gender, and Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Swimming, Masculinity and Cinema in Gilles Lellouche’s Le Grand Bain (2018)

Siyao Lin, Thomas Bauer, Maxence P. Leconte
The International Journal of the History of Sport
Sports, Gender, and Society
article

Swimming, Masculinity and Cinema in Gilles Lellouche’s Le Grand Bain (2018)

Siyao Lin, Thomas Bauer, Maxence P. Leconte
article en

Abstract

Le Grand Bain, a feature film directed by Gilles Lellouche and released in 2008, was highly praised in the French press for its attempt to challenge traditional hegemonic masculinity. Its story follows eight middle-aged men in professional or emotional crisis who set themselves a challenge: to win the male synchronized swimming world championship. Through the humorous contrast between the male characters and a sport culturally reserved for girls, this film offers an opportunity to study the current trend of redefining masculinity, especially in a sports domain that is often accused of having an essentialist understanding of the differences between the sexes. This comedy serves as a counterpoint to the predominantly feminist research in gender studies, shedding light on the ‘decline of masculinity’ lamented by some. A contextual study and analysis of the attempts of the director to deconstruct traditional masculinity demonstrate the metaphorical meanings of water in the transmission of certain human values.

The International Journal of the History of Sport
Université Fédérale de Toulouse Midi-Pyrénées (FR), Trinity University (US), Université de Limoges (FR)
Gender equality
Openalex Percentile: Top 5%
Sports, Gender, and Society
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Swimming, Masculinity and Cinema in Gilles Lellouche’s Le Grand Bain (2018) — Siyao Lin, Thomas Bauer, et al. · The International Journal of the History of Sport (2026) | TGRS Research Map | TGRS