Swimming, Masculinity and Cinema in Gilles Lellouche’s Le Grand Bain (2018)
Le Grand Bain, a feature film directed by Gilles Lellouche and released in 2008, was highly praised in the French press for its attempt to challenge traditional hegemonic masculinity. Its story follows eight middle-aged men in professional or emotional crisis who set themselves a challenge: to win the male synchronized swimming world championship. Through the humorous contrast between the male characters and a sport culturally reserved for girls, this film offers an opportunity to study the current trend of redefining masculinity, especially in a sports domain that is often accused of having an essentialist understanding of the differences between the sexes. This comedy serves as a counterpoint to the predominantly feminist research in gender studies, shedding light on the ‘decline of masculinity’ lamented by some. A contextual study and analysis of the attempts of the director to deconstruct traditional masculinity demonstrate the metaphorical meanings of water in the transmission of certain human values.
Authors
- Siyao Lin (ORCID: https://orcid.org/0009-0008-2867-6228)
- Thomas Bauer (ORCID: https://orcid.org/0000-0002-2426-0259)
- Maxence P. Leconte
Institutions
- Université Fédérale de Toulouse Midi-Pyrénées (FR)
- Trinity University (US)
- Université de Limoges (FR)
Publication Details
- Journal
- The International Journal of the History of Sport
- Published
- 2026-09-17
- DOI
- https://doi.org/10.1080/09523367.2026.2734115
- Primary Topic
- Sports, Gender, and Society
- Type
- article
- Field-Weighted Citation Impact
- 0.00