Unmasking the making of a hero: analyzing Aamir Khan’s fandom in China

This study investigates Aamir Khan’s popularity in China as a distinctive case of transcultural stardom. It argues that his reception is shaped not only by the circulation of Bollywood cinema but also by the ways his films align with Chinese aesthetic preferences and social values. Survey findings show that most respondents had watched his films and admired him as both a skilled actor and a socially engaged public figure. Khan’s appeal appears to rest on the convergence of artistic credibility, moral seriousness, and culturally meaningful storytelling. The study contends that his transnational popularity strengthens Indian cinema’s soft power and informs debates on market strategy, star studies, and cultural exchange. More broadly, it suggests that cinema can function as a medium of education, social reflection, and cross-cultural influence when grounded in emotionally resonant, relevant narratives, and it opens new avenues for understanding the reception of Indian cinema in China.

Authors

Institutions

Publication Details

Journal
Popular Communication
Published
2026-09-17
DOI
https://doi.org/10.1080/15405702.2026.2734901
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00

Funders

Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
article

Unmasking the making of a hero: analyzing Aamir Khan’s fandom in China

Jonathan Matusitz, Muhammad Yaqoub
Popular Communication
South Asian Cinema and Culture
article

Unmasking the making of a hero: analyzing Aamir Khan’s fandom in China

Jonathan Matusitz, Muhammad Yaqoub
article en

Abstract

This study investigates Aamir Khan’s popularity in China as a distinctive case of transcultural stardom. It argues that his reception is shaped not only by the circulation of Bollywood cinema but also by the ways his films align with Chinese aesthetic preferences and social values. Survey findings show that most respondents had watched his films and admired him as both a skilled actor and a socially engaged public figure. Khan’s appeal appears to rest on the convergence of artistic credibility, moral seriousness, and culturally meaningful storytelling. The study contends that his transnational popularity strengthens Indian cinema’s soft power and informs debates on market strategy, star studies, and cultural exchange. More broadly, it suggests that cinema can function as a medium of education, social reflection, and cross-cultural influence when grounded in emotionally resonant, relevant narratives, and it opens new avenues for understanding the reception of Indian cinema in China.

Popular Communication
University of Central Florida (US), Tongling University (CN)
Beijing Postdoctoral Science Foundation
Openalex Percentile: Top 2%
South Asian Cinema and Culture
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Unmasking the making of a hero: analyzing Aamir Khan’s fandom in China — Jonathan Matusitz, Muhammad Yaqoub · Popular Communication (2026) | TGRS Research Map | TGRS