Exploring Art Appreciation Across Three Virtual Museum Configurations: Do Experience Patterns Differ by Formal Art Education?

This exploratory study examines how art appreciation varies across three virtual museum configurations, particularly the White Cube, Traditional Museum, and Contextualized Configurations, and whether participants’ experiential patterns differ according to their formal art education. Using a mixed-methods approach, this study integrates quantitative findings across six dimensions of aesthetic experiences with qualitative insights into the perception of composition, color, and detail. Examining the role of participants’ formal art education provides insights into how individuals with different educational backgrounds draw on perceptual, spatial, and interpretive cues. Based on these findings, the study identifies two complementary areas of design implications to support virtual art appreciation: configuration-level design considerations and participant-informed design opportunities, encompassing perpetual scaffolding, interpretive layering, analytical exploration, environmental context, and flexible flow. These implications suggest potential strategies for offering more inclusive virtual museum experiences that could accommodate different educational backgrounds and engagement preferences.

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Publication Details

Journal
International Journal of Human-Computer Interaction
Published
2026-10-28
DOI
https://doi.org/10.1080/10447318.2026.2751746
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Exploring Art Appreciation Across Three Virtual Museum Configurations: Do Experience Patterns Differ by Formal Art Education?

Kyung Taek Oh, Hyeseung Shim, Chung-Kon Shi
2 links
International Journal of Human-Computer Interaction
Aesthetic Perception and Analysis
article

Exploring Art Appreciation Across Three Virtual Museum Configurations: Do Experience Patterns Differ by Formal Art Education?

Kyung Taek Oh, Hyeseung Shim, Chung-Kon Shi
article en

Abstract

This exploratory study examines how art appreciation varies across three virtual museum configurations, particularly the White Cube, Traditional Museum, and Contextualized Configurations, and whether participants’ experiential patterns differ according to their formal art education. Using a mixed-methods approach, this study integrates quantitative findings across six dimensions of aesthetic experiences with qualitative insights into the perception of composition, color, and detail. Examining the role of participants’ formal art education provides insights into how individuals with different educational backgrounds draw on perceptual, spatial, and interpretive cues. Based on these findings, the study identifies two complementary areas of design implications to support virtual art appreciation: configuration-level design considerations and participant-informed design opportunities, encompassing perpetual scaffolding, interpretive layering, analytical exploration, environmental context, and flexible flow. These implications suggest potential strategies for offering more inclusive virtual museum experiences that could accommodate different educational backgrounds and engagement preferences.

International Journal of Human-Computer Interaction
Korea Advanced Institute of Science and Technology (KR), Hong Kong Shue Yan University (CN)
Quality education
Openalex Percentile: Top 31%
Aesthetic Perception and Analysis
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