Archetyping the Mother: Mātramūrtis—Woman and Child Imagery in Early Indian Art

The article traces the development of mother and child imagery from prehistoric figurines symbolising nurturing motherhood to distinct representations: The divine mother (worshipped as goddesses, such as Mātṛkās) and mātrimūrti, which forms the primary focus of the article. The latter embody ideals of care, play, emotional connection and beauty. Artworks from Mathurā, Sāṅghol and later periods, broadly termed mātrimūrtis, were seen in the context of architectural motifs such as yakṣīs and ālasā kanyās. Here, the emphasis extends beyond the voluptuous and sensuous appeal of yakṣīs to the gendered role of motherhood, highlighting the affectionate bond between woman and child, which differs from depictions of goddess figures by omitting symbols of divinity. The analysis suggests that these images reflect both the emotional and social aspects of the mother–child relationship, serving as recurring motifs in art that convey religious and social values, while also representing themes of procreation, childcare, power and idealised motherhood.

Authors

Institutions

Publication Details

Journal
Studies in People’s History
Published
2026-09-15
DOI
https://doi.org/10.1177/23484489261479027
Primary Topic
Indian and Buddhist Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
article

Archetyping the Mother: Mātramūrtis—Woman and Child Imagery in Early Indian Art

Seema Bawa
Studies in People’s History
Indian and Buddhist Studies
article

Archetyping the Mother: Mātramūrtis—Woman and Child Imagery in Early Indian Art

Seema Bawa
article en

Abstract

The article traces the development of mother and child imagery from prehistoric figurines symbolising nurturing motherhood to distinct representations: The divine mother (worshipped as goddesses, such as Mātṛkās) and mātrimūrti, which forms the primary focus of the article. The latter embody ideals of care, play, emotional connection and beauty. Artworks from Mathurā, Sāṅghol and later periods, broadly termed mātrimūrtis, were seen in the context of architectural motifs such as yakṣīs and ālasā kanyās. Here, the emphasis extends beyond the voluptuous and sensuous appeal of yakṣīs to the gendered role of motherhood, highlighting the affectionate bond between woman and child, which differs from depictions of goddess figures by omitting symbols of divinity. The analysis suggests that these images reflect both the emotional and social aspects of the mother–child relationship, serving as recurring motifs in art that convey religious and social values, while also representing themes of procreation, childcare, power and idealised motherhood.

Studies in People’s History
University of Delhi (IN)
Gender equality
Openalex Percentile: Top 1%
Indian and Buddhist Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Archetyping the Mother: Mātramūrtis—Woman and Child Imagery in Early Indian Art — Seema Bawa · Studies in People’s History (2026) | TGRS Research Map | TGRS