If an Egyptian Cannot Speak English as a variation of minor literature

This article argues that Noor Naga’s (2022) If an Egyptian Cannot Speak English adapts Deleuze and Guattari’s definition of minor literature to her culturally specific post-Arab Spring minor experience of Egypt. Following the Deleuze-Guattarian model, Naga’s narrative is political in nature, collective in spirit, and deterritorializes the English language for minor ends, employing metamorphosis in a personal, experimental, and non-literal manner. However, Naga also uses tools untheorized in their model, including symbols, non-linearity, and auto-metafiction, to reflect her own minor experience. In light of this variation from the Deleuze-Guattarian model, the article builds upon Abida Younas’s understanding of the specific nature of post-Arab Spring minor literature which she argues excludes metamorphosis in favour of metaphor. It argues that Naga’s text produces a distinctive and culturally specific minor narrative that combines the Deleuze-Guattarian minor model of writing and Younas’s post-Arab Spring adaptation, reshaping both frameworks in light of contemporary Egyptian realities.

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Publication Details

Journal
Journal of Postcolonial Writing
Published
2026-09-13
DOI
https://doi.org/10.1080/17449855.2026.2717156
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

If an Egyptian Cannot Speak English as a variation of minor literature

Doaa Ibrahim
Journal of Postcolonial Writing
Postcolonial and Cultural Literary Studies
article

If an Egyptian Cannot Speak English as a variation of minor literature

Doaa Ibrahim
article en

Abstract

This article argues that Noor Naga’s (2022) If an Egyptian Cannot Speak English adapts Deleuze and Guattari’s definition of minor literature to her culturally specific post-Arab Spring minor experience of Egypt. Following the Deleuze-Guattarian model, Naga’s narrative is political in nature, collective in spirit, and deterritorializes the English language for minor ends, employing metamorphosis in a personal, experimental, and non-literal manner. However, Naga also uses tools untheorized in their model, including symbols, non-linearity, and auto-metafiction, to reflect her own minor experience. In light of this variation from the Deleuze-Guattarian model, the article builds upon Abida Younas’s understanding of the specific nature of post-Arab Spring minor literature which she argues excludes metamorphosis in favour of metaphor. It argues that Naga’s text produces a distinctive and culturally specific minor narrative that combines the Deleuze-Guattarian minor model of writing and Younas’s post-Arab Spring adaptation, reshaping both frameworks in light of contemporary Egyptian realities.

Journal of Postcolonial Writing
Alexandria University (EG)
Quality Education
Openalex Percentile: Top 2%
Postcolonial and Cultural Literary Studies
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