Blood on the Touchscreen - O Nó da Verdade (Original Master)

Original Track: “Blood on the Touchscreen” — O Nó da Verdade This file contains the original stereo master of the track “Blood on the Touchscreen”, produced by the musical project/band O Nó da Verdade. The composition explores the intensity and sonic density of modern Nu-Metal and Industrial music. The concept addresses digital anesthesia: entertainment used to numb a population while the war machine operates off-screen. Audio engineering, mixing and production were fully performed in Ableton Live. Guitar tones were shaped with Neural DSP and Waves CLA Guitars. Bass was processed with Ampeg SVT Suite. Drums used Waves JJP Drums. Vocals were processed with Waves JJP Vocals and Oeksound Soothe2. The mix bus used Unfiltered Audio The God Particle. Analytical checks were performed via Roex. The final master was completed with LANDR (Open-Low). Material preserved for historical and cultural record, as well as a portfolio of Brazilian independent audio production.

Authors

Institutions

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-09-12
DOI
https://doi.org/10.5281/zenodo.22718830
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
article

Blood on the Touchscreen - O Nó da Verdade (Original Master)

Rafael Augusto Xavier Fernandes
Zenodo (CERN European Organization for Nuclear Research)
Diverse Musicological Studies
article

Blood on the Touchscreen - O Nó da Verdade (Original Master)

Rafael Augusto Xavier Fernandes
article en

Abstract

Original Track: “Blood on the Touchscreen” — O Nó da Verdade This file contains the original stereo master of the track “Blood on the Touchscreen”, produced by the musical project/band O Nó da Verdade. The composition explores the intensity and sonic density of modern Nu-Metal and Industrial music. The concept addresses digital anesthesia: entertainment used to numb a population while the war machine operates off-screen. Audio engineering, mixing and production were fully performed in Ableton Live. Guitar tones were shaped with Neural DSP and Waves CLA Guitars. Bass was processed with Ampeg SVT Suite. Drums used Waves JJP Drums. Vocals were processed with Waves JJP Vocals and Oeksound Soothe2. The mix bus used Unfiltered Audio The God Particle. Analytical checks were performed via Roex. The final master was completed with LANDR (Open-Low). Material preserved for historical and cultural record, as well as a portfolio of Brazilian independent audio production.

Zenodo (CERN European Organization for Nuclear Research)
The European Institute for Crime Prevention and Control, affiliated with the United Nations (FI)
Openalex Percentile: Top 2%
Diverse Musicological Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Blood on the Touchscreen - O Nó da Verdade (Original Master) — Rafael Augusto Xavier Fernandes · Zenodo (CERN European Organization for Nuclear Research) (2026) | TGRS Research Map | TGRS