For Whom and For What Purpose? A Position Paper on Digital Humanities and AI in African Studies

African Studies scholars have been involved in Digital Humanities (DH) projects since the 2000s. Recent advances in artificial intelligence (AI), particularly large language models (LLMs), have expanded the possibilities for textual analysis and archival research, but implementation raises difficult questions: who controls access, whose data trains these systems without consent, whose languages remain underserved, and who bears the labour and environmental costs. This position paper is the collective work of a Volkswagen Foundation-funded scoping workshop in Hanover, Germany, in February 2026, with twenty-six scholars from sixteen countries. Across four working groups – language technologies; archives and visual heritage; infrastructure, governance, and access; and epistemologies, decoloniality, and ethics – one question recurred: for whom and for what purpose is this work undertaken? Ownership and sovereignty, access, sustainability, and standardisation emerged as transversal problems, which we set in dialogue with critiques of data colonialism and extractivism. We propose situated practices: licensing that conditions openness on return to source communities; digitisation agreements as living documents; ontologies built collaboratively; design grounded in access, governance, and sovereignty; and ethics treated as a process rather than a deliverable. Many of the problems we examine are common across DH and AI: consent, standardisation that erases variation, algorithmic bias, hidden labour, and the funding of innovation over maintenance. African contexts make them sharper and more visible, and Africa-based practice has produced concrete responses. We therefore argue that African epistemologies and decolonial critique belong at the centre of both fields, and that African scholars, practitioners, and institutions belong where these technologies are designed and governed.

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Publication Details

Journal
Institutional Repository ZMO
Published
2026-09-09
DOI
https://doi.org/10.58144/20260827-000
Primary Topic
Digital Humanities and Scholarship
Type
article
Field-Weighted Citation Impact
0.00
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article

For Whom and For What Purpose? A Position Paper on Digital Humanities and AI in African Studies

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Institutional Repository ZMO
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For Whom and For What Purpose? A Position Paper on Digital Humanities and AI in African Studies

Frédérick Madore, Érika Melek Delgado, Ashleigh Harris, Agata Błoch, Britta Frede, Johannes Sibeko, Augustin Ndione, Albrecht Hofheinz, Thompson Gyedu Kwarkye, Duncan Money, Fallou Ngom, Cassandra Mark-Thiesen, Emmanuel Ngué Um, Susan Elizabeth Gagliardi, Nuraddin Aman, Leah Junck, James Yeku, Karen Byera Ijumba, Kọ́lá Túbọ̀sún, Menno van Zaanen, Oumou Sidibé, Fu’ad Lawal, Vincent Hiribarren, Irene Mwendwa, Janeth David Nzenga
article en

Abstract

African Studies scholars have been involved in Digital Humanities (DH) projects since the 2000s. Recent advances in artificial intelligence (AI), particularly large language models (LLMs), have expanded the possibilities for textual analysis and archival research, but implementation raises difficult questions: who controls access, whose data trains these systems without consent, whose languages remain underserved, and who bears the labour and environmental costs. This position paper is the collective work of a Volkswagen Foundation-funded scoping workshop in Hanover, Germany, in February 2026, with twenty-six scholars from sixteen countries. Across four working groups – language technologies; archives and visual heritage; infrastructure, governance, and access; and epistemologies, decoloniality, and ethics – one question recurred: for whom and for what purpose is this work undertaken? Ownership and sovereignty, access, sustainability, and standardisation emerged as transversal problems, which we set in dialogue with critiques of data colonialism and extractivism. We propose situated practices: licensing that conditions openness on return to source communities; digitisation agreements as living documents; ontologies built collaboratively; design grounded in access, governance, and sovereignty; and ethics treated as a process rather than a deliverable. Many of the problems we examine are common across DH and AI: consent, standardisation that erases variation, algorithmic bias, hidden labour, and the funding of innovation over maintenance. African contexts make them sharper and more visible, and Africa-based practice has produced concrete responses. We therefore argue that African epistemologies and decolonial critique belong at the centre of both fields, and that African scholars, practitioners, and institutions belong where these technologies are designed and governed.

Institutional Repository ZMO
Industry, innovation and infrastructure
Openalex Percentile: Top 2%
Digital Humanities and Scholarship
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