Color as a Generative Principle in the Work of Sonia Delaunay - Art historical research – Research summary

The research examines the generative operation of colour in the art of Sonia Delaunay. Through the analysis of painting, textiles and design, it explores the structural relationships between colour, form, rhythm and perception. The research also interprets these relationships from the perspective of digital and AI-based image generation, distinguishing Delaunay's visual generativity from algorithmic image-making.

Authors

Publication Details

Journal
Knowledge Commons (Lakehead University)
Published
2026-09-06
DOI
https://doi.org/10.17613/epdp9-8b951
Primary Topic
Crafts, Textile, and Design
Type
article
Field-Weighted Citation Impact
0.00
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article

Color as a Generative Principle in the Work of Sonia Delaunay - Art historical research – Research summary

Nicholas Van-Orton, NVO987 – Culture Visuelle Moderne et Contemporaine
Knowledge Commons (Lakehead University)
Crafts, Textile, and Design
article

Color as a Generative Principle in the Work of Sonia Delaunay - Art historical research – Research summary

Nicholas Van-Orton, NVO987 – Culture Visuelle Moderne et Contemporaine
article en

Abstract

The research examines the generative operation of colour in the art of Sonia Delaunay. Through the analysis of painting, textiles and design, it explores the structural relationships between colour, form, rhythm and perception. The research also interprets these relationships from the perspective of digital and AI-based image generation, distinguishing Delaunay's visual generativity from algorithmic image-making.

Knowledge Commons (Lakehead University)
Openalex Percentile: Top 1%
Crafts, Textile, and Design
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