“The Truth in the Mouth of a Hypocrite.” Dramatic Irony, Humor and Traces of Johann Georg Hamann in Søren Kierkegaard’s Approach to the Paradox of Christianity in Philosophical Fragments

Abstract This article explores the role of irony, humor and intertextual dialogue with Hamann in Kierkegaard’s approach to the Christian paradox in Philosophical Fragments . What kind of irony characterizes the dialogue between the offended understanding and the paradox in “Offense at the Paradox (An Acoustical Illusion)” in Philosophical Fragments ? I argue that the theological and philosophical significance of the paradox is brought out through the paradoxical form of dramatic irony, and I explore how this relates to Hamann. To shed further light on the traces of Hamann, I examine also Kierkegaard’s comments on Hamann, “the greatest humorist,” in journal entries and other writings.

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Publication Details

Journal
Neue Zeitschrift für Systematische Theologie und Religionsphilosophie
Published
2026-09-04
DOI
https://doi.org/10.1515/nzsth-2026-0009
Primary Topic
Kierkegaardian Philosophy and Influence
Type
article
Field-Weighted Citation Impact
0.00
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article

“The Truth in the Mouth of a Hypocrite.” Dramatic Irony, Humor and Traces of Johann Georg Hamann in Søren Kierkegaard’s Approach to the Paradox of Christianity in Philosophical Fragments

Iben Damgaard
Neue Zeitschrift für Systematische Theologie und Religionsphilosophie
Kierkegaardian Philosophy and Influence
article

“The Truth in the Mouth of a Hypocrite.” Dramatic Irony, Humor and Traces of Johann Georg Hamann in Søren Kierkegaard’s Approach to the Paradox of Christianity in Philosophical Fragments

Iben Damgaard
article en

Abstract

Abstract This article explores the role of irony, humor and intertextual dialogue with Hamann in Kierkegaard’s approach to the Christian paradox in Philosophical Fragments . What kind of irony characterizes the dialogue between the offended understanding and the paradox in “Offense at the Paradox (An Acoustical Illusion)” in Philosophical Fragments ? I argue that the theological and philosophical significance of the paradox is brought out through the paradoxical form of dramatic irony, and I explore how this relates to Hamann. To shed further light on the traces of Hamann, I examine also Kierkegaard’s comments on Hamann, “the greatest humorist,” in journal entries and other writings.

Neue Zeitschrift für Systematische Theologie und Religionsphilosophie
University of Copenhagen (DK)
Openalex Percentile: Top 1%
Kierkegaardian Philosophy and Influence
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