A Woman in the Art Supply Trade: Unveiling the Business and Skills of Ermptgen van Putten in Seventeenth-Century Rotterdam

This article corrects the long-standing misattribution of a seventeenth-century Rotterdam paint shop, revealing that it was not run by Abraham van Bubbeson, but by his wife Ermptgen van Putten. Drawing on newly discovered archival sources and a “reading against the grain” of existing documents, this study demonstrates that van Putten successfully managed a shop that offered a wide range of painting materials to a diverse clientele, from renowned painters to artisans. She likely possessed extensive material knowledge, maintained a broad supplier network, strategically tailored her inventory to meet market demands, and had technical expertise in preparing ready-mixed “wet” paint. The case of van Putten challenges traditional perceptions of Dutch seventeenth-century paint sellers and broadens our understanding of women’s roles in the art market by highlighting their involvement in a crucial yet understudied step of the artistic supply chain.

Authors

Publication Details

Journal
ArtMatters International Journal for Technical Art History
Published
2026-09-01
DOI
https://doi.org/10.64655/am.sifh.ct69
Primary Topic
Art History and Market Analysis
Type
article
Field-Weighted Citation Impact
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article

A Woman in the Art Supply Trade: Unveiling the Business and Skills of Ermptgen van Putten in Seventeenth-Century Rotterdam

Marleen Puyenbroek
ArtMatters International Journal for Technical Art History
Art History and Market Analysis
article

A Woman in the Art Supply Trade: Unveiling the Business and Skills of Ermptgen van Putten in Seventeenth-Century Rotterdam

Marleen Puyenbroek
article en

Abstract

This article corrects the long-standing misattribution of a seventeenth-century Rotterdam paint shop, revealing that it was not run by Abraham van Bubbeson, but by his wife Ermptgen van Putten. Drawing on newly discovered archival sources and a “reading against the grain” of existing documents, this study demonstrates that van Putten successfully managed a shop that offered a wide range of painting materials to a diverse clientele, from renowned painters to artisans. She likely possessed extensive material knowledge, maintained a broad supplier network, strategically tailored her inventory to meet market demands, and had technical expertise in preparing ready-mixed “wet” paint. The case of van Putten challenges traditional perceptions of Dutch seventeenth-century paint sellers and broadens our understanding of women’s roles in the art market by highlighting their involvement in a crucial yet understudied step of the artistic supply chain.

ArtMatters International Journal for Technical Art History(SI-FemaleHand)
Gender equality
Openalex Percentile: Top 2%
Art History and Market Analysis
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