Access, accessibility, diversity: A three-dimensional model of institutional inclusion in museums based on historical evidence from the Boston Museum of Science (USA) (1940–2000)

Inclusion has become a central commitment in contemporary museums, yet the term often describes heterogeneous practices without distinguishing the logics through which they operate or the inequalities they address. Building on prior work that has applied Nancy Fraser's (2009) theory of redistribution, recognition, and representation to museum inclusion, this article develops a three-dimensional model—access, accessibility, and diversity—and tests it through a longitudinal archival analysis of the Boston Museum of Science (USA, 1940–2000), treated as a paradigmatic case. The three dimensions emerged unevenly and frequently coexisted: access expanded institutional reach, accessibility reconfigured the museum around disabled visitors’ embodied and sensory needs, and diversity – the dimension requiring redistributed institutional authority – remained least developed, recorded as commitment rather than structural change. By grounding this disaggregation in six decades of institutional evidence, the model offers a framework for evaluating what inclusion achieves and where its limits lie.

Authors

Institutions

Publication Details

Journal
Museum Management and Curatorship
Published
2026-09-01
DOI
https://doi.org/10.1080/09647775.2026.2694999
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00

Funders

Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Access, accessibility, diversity: A three-dimensional model of institutional inclusion in museums based on historical evidence from the Boston Museum of Science (USA) (1940–2000)

Jéssica Norberto Rocha
Museum Management and Curatorship
Museums and Cultural Heritage
article

Access, accessibility, diversity: A three-dimensional model of institutional inclusion in museums based on historical evidence from the Boston Museum of Science (USA) (1940–2000)

Jéssica Norberto Rocha
article en

Abstract

Inclusion has become a central commitment in contemporary museums, yet the term often describes heterogeneous practices without distinguishing the logics through which they operate or the inequalities they address. Building on prior work that has applied Nancy Fraser's (2009) theory of redistribution, recognition, and representation to museum inclusion, this article develops a three-dimensional model—access, accessibility, and diversity—and tests it through a longitudinal archival analysis of the Boston Museum of Science (USA, 1940–2000), treated as a paradigmatic case. The three dimensions emerged unevenly and frequently coexisted: access expanded institutional reach, accessibility reconfigured the museum around disabled visitors’ embodied and sensory needs, and diversity – the dimension requiring redistributed institutional authority – remained least developed, recorded as commitment rather than structural change. By grounding this disaggregation in six decades of institutional evidence, the model offers a framework for evaluating what inclusion achieves and where its limits lie.

Museum Management and Curatorship
Universidade Ibirapuera (BR), Fundação CECIERJ (BR), Fundação Oswaldo Cruz (BR)
Fulbright Association, Conselho Nacional de Desenvolvimento Científico e Tecnológico
Reduced inequalities
Openalex Percentile: Top 3%
Museums and Cultural Heritage
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.