“remnants of some ancient shipwreck”: Jennifer Johnston, Shakespearean romance and twentieth-century Ireland

Jennifer Johnston’s novels are saturated with references to Shakespeare’s plays. This essay argues why Johnston’s novels are increasingly drawn not to Shakespeare’s tragedies (references to which are on several occasions comically undercut in her books) but rather to the comedies and, particularly, the late Romances. Shakespeare’s tragedies can easily be pressed into service to reinforce the “tragic” narratives of personal or national adversity, but rather than believing themselves doomed like Hamlet or Macbeth, Johnston’s protagonists commonly borrow elements from plays like Twelfth Night, As You Like It, Cymbeline and The Tempest to transcend the tragic impulse, allowing laughter and healing to flourish where others may choose to find only pity and terror. This is true not only for her heroes’ and heroines’ personal or domestic challenges; those same plays also provide positive, enabling models for overcoming the historical legacy of the Troubles which forms the backdrop of many Johnston novels.

Authors

Institutions

Publication Details

Journal
Irish Studies Review
Published
2026-08-28
DOI
https://doi.org/10.1080/09670882.2026.2699641
Primary Topic
Irish and British Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

“remnants of some ancient shipwreck”: Jennifer Johnston, Shakespearean romance and twentieth-century Ireland

Stanley van der Ziel
Irish Studies Review
Irish and British Studies
article

“remnants of some ancient shipwreck”: Jennifer Johnston, Shakespearean romance and twentieth-century Ireland

Stanley van der Ziel
article en

Abstract

Jennifer Johnston’s novels are saturated with references to Shakespeare’s plays. This essay argues why Johnston’s novels are increasingly drawn not to Shakespeare’s tragedies (references to which are on several occasions comically undercut in her books) but rather to the comedies and, particularly, the late Romances. Shakespeare’s tragedies can easily be pressed into service to reinforce the “tragic” narratives of personal or national adversity, but rather than believing themselves doomed like Hamlet or Macbeth, Johnston’s protagonists commonly borrow elements from plays like Twelfth Night, As You Like It, Cymbeline and The Tempest to transcend the tragic impulse, allowing laughter and healing to flourish where others may choose to find only pity and terror. This is true not only for her heroes’ and heroines’ personal or domestic challenges; those same plays also provide positive, enabling models for overcoming the historical legacy of the Troubles which forms the backdrop of many Johnston novels.

Irish Studies Review
Library Network (US)
Openalex Percentile: Top 4%
Irish and British Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

“remnants of some ancient shipwreck”: Jennifer Johnston, Shakespearean romance and twentieth-century Ireland — Stanley van der Ziel · Irish Studies Review (2026) | TGRS Research Map | TGRS