The year is a dropdown menu: Platformed provenance and the viral afterlives of AI-generated retro music

This article examines how generative AI media becomes believable and shareable when it is packaged as a rediscovered archive and distributed through commercial platforms. Drawing on multi-sited digital ethnography, targeted platform walkthroughs, and cross-platform trace analysis of a viral “lost song” circulating in Italy in 2025, I show how listeners in this case mobilized sonic cues and platform metadata, including release dates and credits, as practical evidence. I use metadata realism to describe everyday reliance on database fields as documentary testimony, and provenance play for situated practices of verification and narration through which people negotiate synthetic pasts. After public debunking, circulation continued through humorous and artistic reframings, while verification itself became part of the artifact’s social life. The analysis foregrounds platformed provenance and considers what the case implies for synthetic media governance and content credentials.

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Publication Details

Journal
New Media & Society
Published
2026-08-28
DOI
https://doi.org/10.1177/14614448261476830
Primary Topic
Digital Humanities and Scholarship
Type
article
Field-Weighted Citation Impact
0.00
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article

The year is a dropdown menu: Platformed provenance and the viral afterlives of AI-generated retro music

Matilde Catanese
New Media & Society
Digital Humanities and Scholarship
article

The year is a dropdown menu: Platformed provenance and the viral afterlives of AI-generated retro music

Matilde Catanese
article en

Abstract

This article examines how generative AI media becomes believable and shareable when it is packaged as a rediscovered archive and distributed through commercial platforms. Drawing on multi-sited digital ethnography, targeted platform walkthroughs, and cross-platform trace analysis of a viral “lost song” circulating in Italy in 2025, I show how listeners in this case mobilized sonic cues and platform metadata, including release dates and credits, as practical evidence. I use metadata realism to describe everyday reliance on database fields as documentary testimony, and provenance play for situated practices of verification and narration through which people negotiate synthetic pasts. After public debunking, circulation continued through humorous and artistic reframings, while verification itself became part of the artifact’s social life. The analysis foregrounds platformed provenance and considers what the case implies for synthetic media governance and content credentials.

New Media & Society
Colorado State University (US)
Openalex Percentile: Top 2%
Digital Humanities and Scholarship
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