Cultural significance of Ghanaian ceramic artifacts at the centre for national culture in Sekondi, Ghana

Ceramic artifacts are important parts of Ghana’s cultural heritage, serving both functional and artistic purposes in all communities. Nevertheless, their cultural significance, artistic symbolism, technological transformation, and institutional promotion have received limited scholarly attention. Therefore, the study examined the design, symbolism, and contemporary relevance of ceramic artifacts in Ghana, with particular focus on the role of the Centre for National Culture (CNC) in Sekondi in promoting ceramic production and artistic development. A qualitative research approach was adopted, using field observations, semi-structured interviews, and focus group discussions as data collection instruments. The purposive sampling technique was used to select 20 participants comprising 5 ceramic artists, 11 pottery practitioners, and 4 cultural officers. The findings revealed that Ghanaian ceramic artifacts embody rich symbolic meanings expressed through motifs such as Adinkra symbols, geometric patterns, and figurative representations that communicate cultural values and social narratives. The study also evidenced that contemporary ceramic artists increasingly integrate modern technologies such as potter’s wheels, electric kilns, glazing techniques, and mould casting to enhance artistic expression and production efficiency. However, the ceramic industry faces significant challenges, including high production costs, competition from imported ceramic products, environmental concerns related to clay extraction, and declining youth participation in pottery production. The study highlighted the important role of cultural institutions, particularly the Centre for National Culture, Sekondi, in preserving and promoting ceramic art through exhibitions, training programs, and craft markets. The paper concluded that the sustainable development of Ghanaian ceramics required a balanced integration of cultural heritage preservation, technological innovation, and institutional support.

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Publication Details

Journal
Discover Global Society
Published
2026-08-27
DOI
https://doi.org/10.1007/s44282-026-00577-2
Primary Topic
Crafts, Textile, and Design
Type
article
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article

Cultural significance of Ghanaian ceramic artifacts at the centre for national culture in Sekondi, Ghana

Alexander Addae, Kofi Asante-Kyei, Caleb Nii Darku Dodoo
Discover Global Society
Crafts, Textile, and Design
article

Cultural significance of Ghanaian ceramic artifacts at the centre for national culture in Sekondi, Ghana

Alexander Addae, Kofi Asante-Kyei, Caleb Nii Darku Dodoo
article en

Abstract

Ceramic artifacts are important parts of Ghana’s cultural heritage, serving both functional and artistic purposes in all communities. Nevertheless, their cultural significance, artistic symbolism, technological transformation, and institutional promotion have received limited scholarly attention. Therefore, the study examined the design, symbolism, and contemporary relevance of ceramic artifacts in Ghana, with particular focus on the role of the Centre for National Culture (CNC) in Sekondi in promoting ceramic production and artistic development. A qualitative research approach was adopted, using field observations, semi-structured interviews, and focus group discussions as data collection instruments. The purposive sampling technique was used to select 20 participants comprising 5 ceramic artists, 11 pottery practitioners, and 4 cultural officers. The findings revealed that Ghanaian ceramic artifacts embody rich symbolic meanings expressed through motifs such as Adinkra symbols, geometric patterns, and figurative representations that communicate cultural values and social narratives. The study also evidenced that contemporary ceramic artists increasingly integrate modern technologies such as potter’s wheels, electric kilns, glazing techniques, and mould casting to enhance artistic expression and production efficiency. However, the ceramic industry faces significant challenges, including high production costs, competition from imported ceramic products, environmental concerns related to clay extraction, and declining youth participation in pottery production. The study highlighted the important role of cultural institutions, particularly the Centre for National Culture, Sekondi, in preserving and promoting ceramic art through exhibitions, training programs, and craft markets. The paper concluded that the sustainable development of Ghanaian ceramics required a balanced integration of cultural heritage preservation, technological innovation, and institutional support.

Discover Global SocietyVol. 4(1)
Takoradi Technical University (GH)
Openalex Percentile: Top 2%
Crafts, Textile, and Design
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Cultural significance of Ghanaian ceramic artifacts at the centre for national culture in Sekondi, Ghana — Alexander Addae, Kofi Asante-Kyei, et al. · Discover Global Society (2026) | TGRS Research Map | TGRS