Vertical Autonomy in Practice: Local Agency, Social Capital, and Crisis Leverage in Taiwan’s Art Fair Field

This study explores how Taiwan’s art fair field negotiates and sustains autonomy under transnational competition, engaging the concept of vertical autonomy. Drawing on field theory and qualitative methods, it analyzes strategic interactions between Taipei Dangdai (2019-2025) and Art Taipei (1992-). Findings reveal that transnational entry triggered field restructuring through contemporary art positioning and symbolic capital competition. Local institutions responded by mobilizing social capital, reinforcing cultural identity, and institutionalizing crisis-resilience mechanisms. Local galleries acted as intermediaries, strategically mediating between global and local hierarchies through differentiated participation. The COVID-19 pandemic exposed how social capital functions as “cultural insurance” during global disruptions, reinforcing local resilience. This research extends vertical autonomy theory and provides insights for regional art markets navigating globalization.

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Publication Details

Journal
The Journal of Arts Management Law and Society
Published
2026-08-25
DOI
https://doi.org/10.1080/10632921.2026.2722253
Primary Topic
Cultural Industries and Urban Development
Type
article
Field-Weighted Citation Impact
0.00
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article

Vertical Autonomy in Practice: Local Agency, Social Capital, and Crisis Leverage in Taiwan’s Art Fair Field

Ting-Yi Chu
The Journal of Arts Management Law and Society
Cultural Industries and Urban Development
article

Vertical Autonomy in Practice: Local Agency, Social Capital, and Crisis Leverage in Taiwan’s Art Fair Field

Ting-Yi Chu
article en

Abstract

This study explores how Taiwan’s art fair field negotiates and sustains autonomy under transnational competition, engaging the concept of vertical autonomy. Drawing on field theory and qualitative methods, it analyzes strategic interactions between Taipei Dangdai (2019-2025) and Art Taipei (1992-). Findings reveal that transnational entry triggered field restructuring through contemporary art positioning and symbolic capital competition. Local institutions responded by mobilizing social capital, reinforcing cultural identity, and institutionalizing crisis-resilience mechanisms. Local galleries acted as intermediaries, strategically mediating between global and local hierarchies through differentiated participation. The COVID-19 pandemic exposed how social capital functions as “cultural insurance” during global disruptions, reinforcing local resilience. This research extends vertical autonomy theory and provides insights for regional art markets navigating globalization.

The Journal of Arts Management Law and Society
Tamkang University (TW)
Openalex Percentile: Top 3%
Cultural Industries and Urban Development
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Vertical Autonomy in Practice: Local Agency, Social Capital, and Crisis Leverage in Taiwan’s Art Fair Field — Ting-Yi Chu · The Journal of Arts Management Law and Society (2026) | TGRS Research Map | TGRS