The impact of dance choreography integrated with dance movement therapy on university students’ mental health and gender differences: a cross-cultural perspective

This cluster quasi-experimental study explores intervention effects of dance choreography adapted from five canonical DMT clinical frameworks on self-reported mental distress among 200 non-dance undergraduates from five geographically representative Chinese universities. Five tailored dance works were developed by translating DMT core tenets into non-clinical educational formats, delivered as a 5-month standardised intervention (two 90-minute sessions weekly). The Chinese-validated SCL-90 served as the primary outcome, analysed via paired-samples t-tests, one-way ANCOVA, and independent-samples t-tests. Results reveal significant small-to-moderate reductions in seven SCL-90 dimensions, with heterogeneous effects across models and consistent gender response patterns. Crucially, improvements reflect self-perceived distress relief rather than clinical remission. This study provides tentative cross-cultural evidence for DMT-informed choreography as a low-barrier mental health promotion tool, offering tiered, context-adaptable references for global higher education.

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Publication Details

Journal
Body Movement and Dance in Psychotherapy
Published
2026-08-25
DOI
https://doi.org/10.1080/17432979.2026.2714785
Primary Topic
Diversity and Impact of Dance
Type
article
Field-Weighted Citation Impact
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article

The impact of dance choreography integrated with dance movement therapy on university students’ mental health and gender differences: a cross-cultural perspective

Xia Shi, Ruoyu Wang
Body Movement and Dance in Psychotherapy
Diversity and Impact of Dance
article

The impact of dance choreography integrated with dance movement therapy on university students’ mental health and gender differences: a cross-cultural perspective

Xia Shi, Ruoyu Wang
article en

Abstract

This cluster quasi-experimental study explores intervention effects of dance choreography adapted from five canonical DMT clinical frameworks on self-reported mental distress among 200 non-dance undergraduates from five geographically representative Chinese universities. Five tailored dance works were developed by translating DMT core tenets into non-clinical educational formats, delivered as a 5-month standardised intervention (two 90-minute sessions weekly). The Chinese-validated SCL-90 served as the primary outcome, analysed via paired-samples t-tests, one-way ANCOVA, and independent-samples t-tests. Results reveal significant small-to-moderate reductions in seven SCL-90 dimensions, with heterogeneous effects across models and consistent gender response patterns. Crucially, improvements reflect self-perceived distress relief rather than clinical remission. This study provides tentative cross-cultural evidence for DMT-informed choreography as a low-barrier mental health promotion tool, offering tiered, context-adaptable references for global higher education.

Body Movement and Dance in Psychotherapy
Guilin University of Technology (CN), China Shenhua Energy (China) (CN)
Gender equality, Quality Education
Openalex Percentile: Top 6%
Diversity and Impact of Dance
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