Sadu Weaving Between Authenticity and Modernity in Contemporary Design
This study investigates the tension facing the textile heritage of Al-Sadu weaving: the conflict between archival preservation of traditional symbolism and the demands of contemporary design markets. Following its inscription on the UNESCO Representative List in 2020, Sadu has transitioned from a utilitarian Bedouin necessity to a high-status national icon in Saudi Arabia. To examine this evolution, this paper traces Sadu scholarship through a systematic review of 42 publications (2004–2026) employing a cultural sustainability framework. The methodology utilized a dual-layered evaluative process to identify publication trends, dominant research directions, and the extent to which authenticity is preserved within contemporary design applications. The findings reveal a clear shift from descriptive ethnography toward an operational, design-oriented model. However, this shift risks semiotic flattening as the craft is increasingly digitized into decorative surface motifs. By situating its regional findings within broader cross-cultural textile discourses, this study argues that the survival of Sadu depends on preserving the intrinsic social significance of its production processes rather than its surface esthetics alone.
Authors
- Shadia Salem (ORCID: https://orcid.org/0000-0002-4908-9822)
- Wijdan A. Tawfiq (ORCID: https://orcid.org/0000-0003-4213-2856)
Publication Details
- Journal
- TEXTILE
- Published
- 2026-08-24
- DOI
- https://doi.org/10.1080/14759756.2026.2716801
- Primary Topic
- Quasicrystal Structures and Properties
- Type
- article
- Field-Weighted Citation Impact
- 0.00