Beyond capital: an institutional semiotic analysis of investment crowdfunding and lending in Europe

Purpose This study aims to examine how European investment (equity) and lending crowdfunding platforms build institutional legitimacy and investor trust through culturally situated meaning-making. Specifically, this study investigates whether platforms across six European cultural regions deploy different narrative structures, symbolic value vocabularies and visual grammars; and how these semiotic repertoires shape perceived credibility and investor value. Design/methodology/approach The study applies a qualitative institutional semiotic methodology to 67 active European crowdfunding platforms (equity and lending) grouped into 6 regional clusters (Mediterranean, Central European, Nordic, Anglo-Saxon, Baltic, Eastern European). Platforms are treated as the unit of analysis and coded across five analytical dimensions: narrative structure, symbolic lexicon, visual semiotics, legitimisation strategies and interactional signalling. Data were triangulated across textual, visual and interface cues using a structured coding workflow with multiple coders and adjudication procedures to enhance interpretive reliability. Findings The analysis identifies distinct regional semiotic regimes rather than a single convergent European model. Mediterranean platforms tend to foreground community, solidarity and emotional proximity; Central European platforms emphasise technocratic competence, innovation and growth; Nordic platforms stress sustainability, transparency and governance; Anglo-Saxon platforms prioritise market–performance rhetoric, metrics and professionalised corporate aesthetics; Baltic platforms combine digital efficiency with procedural transparency; and Eastern European platforms frame crowdfunding through developmental and empowerment narratives. Overall, crowdfunding operates not only as finance but also as a cultural device that stages legitimacy through regionally legible symbolic and visual cues. Originality/value This study introduces an innovative semiotic approach to financial platform analysis, bridging institutional theory with cultural studies. It offers a novel comparative perspective on European crowdfunding, highlighting how cultural context shapes financial communication. The findings provide actionable insights for platform designers, entrepreneurs and investors seeking to align symbolic strategies with regional expectations. By framing crowdfunding as a form of social semiosis, the study advances interdisciplinary dialogue and presents practical tools for enhancing cross-cultural legitimacy and trust in fintech ecosystems.

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Publication Details

Journal
Qualitative Research in Financial Markets
Published
2026-08-20
DOI
https://doi.org/10.1108/qrfm-10-2025-0361
Primary Topic
FinTech, Crowdfunding, Digital Finance
Type
article
Field-Weighted Citation Impact
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article

Beyond capital: an institutional semiotic analysis of investment crowdfunding and lending in Europe

Carlos Chengda Xiangyang, Luis Javier Ramos-Díaz
Qualitative Research in Financial Markets
FinTech, Crowdfunding, Digital Finance
article

Beyond capital: an institutional semiotic analysis of investment crowdfunding and lending in Europe

Carlos Chengda Xiangyang, Luis Javier Ramos-Díaz
article en

Abstract

Purpose This study aims to examine how European investment (equity) and lending crowdfunding platforms build institutional legitimacy and investor trust through culturally situated meaning-making. Specifically, this study investigates whether platforms across six European cultural regions deploy different narrative structures, symbolic value vocabularies and visual grammars; and how these semiotic repertoires shape perceived credibility and investor value. Design/methodology/approach The study applies a qualitative institutional semiotic methodology to 67 active European crowdfunding platforms (equity and lending) grouped into 6 regional clusters (Mediterranean, Central European, Nordic, Anglo-Saxon, Baltic, Eastern European). Platforms are treated as the unit of analysis and coded across five analytical dimensions: narrative structure, symbolic lexicon, visual semiotics, legitimisation strategies and interactional signalling. Data were triangulated across textual, visual and interface cues using a structured coding workflow with multiple coders and adjudication procedures to enhance interpretive reliability. Findings The analysis identifies distinct regional semiotic regimes rather than a single convergent European model. Mediterranean platforms tend to foreground community, solidarity and emotional proximity; Central European platforms emphasise technocratic competence, innovation and growth; Nordic platforms stress sustainability, transparency and governance; Anglo-Saxon platforms prioritise market–performance rhetoric, metrics and professionalised corporate aesthetics; Baltic platforms combine digital efficiency with procedural transparency; and Eastern European platforms frame crowdfunding through developmental and empowerment narratives. Overall, crowdfunding operates not only as finance but also as a cultural device that stages legitimacy through regionally legible symbolic and visual cues. Originality/value This study introduces an innovative semiotic approach to financial platform analysis, bridging institutional theory with cultural studies. It offers a novel comparative perspective on European crowdfunding, highlighting how cultural context shapes financial communication. The findings provide actionable insights for platform designers, entrepreneurs and investors seeking to align symbolic strategies with regional expectations. By framing crowdfunding as a form of social semiosis, the study advances interdisciplinary dialogue and presents practical tools for enhancing cross-cultural legitimacy and trust in fintech ecosystems.

Qualitative Research in Financial Markets
Camilo José Cela University (ES)
Industry, innovation and infrastructure
Openalex Percentile: Top 5%
FinTech, Crowdfunding, Digital Finance
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