V-comedy – the performance of jokes by virtual live streamers

This article analyses how VTubers (virtual YouTubers) employ their physical and virtual components to perform a novel form of humour we term v-comedy. Through a performance analysis of three live streams – a scripted talent show-esque segment, another from a gameplay collaboration, and another from a karaoke live stream – we argue that VTubers use comedy to play with their identities, manipulating the visibility of their human performers to engage their audiences. We forward three means by which VTubers do v-comedy: actions expressed through their avatars that are not physically possible, references to knowledge possessed by the performer but not the virtual character, and exposing the mediating technologies enabling their avatar’s existence. As a novel inquiry into the intersection between humour and VTuber research, our article opens the way for future research into how VTubers manipulate virtual as a form of creative expression.

Authors

Institutions

Publication Details

Journal
Comedy Studies
Published
2026-08-20
DOI
https://doi.org/10.1080/2040610x.2026.2716993
Primary Topic
Humor Studies and Applications
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

V-comedy – the performance of jokes by virtual live streamers

Geoffrey Lee, Zoe Li
Comedy Studies
Humor Studies and Applications
article

V-comedy – the performance of jokes by virtual live streamers

Geoffrey Lee, Zoe Li
article en

Abstract

This article analyses how VTubers (virtual YouTubers) employ their physical and virtual components to perform a novel form of humour we term v-comedy. Through a performance analysis of three live streams – a scripted talent show-esque segment, another from a gameplay collaboration, and another from a karaoke live stream – we argue that VTubers use comedy to play with their identities, manipulating the visibility of their human performers to engage their audiences. We forward three means by which VTubers do v-comedy: actions expressed through their avatars that are not physically possible, references to knowledge possessed by the performer but not the virtual character, and exposing the mediating technologies enabling their avatar’s existence. As a novel inquiry into the intersection between humour and VTuber research, our article opens the way for future research into how VTubers manipulate virtual as a form of creative expression.

Comedy Studies
The University of Sydney (AU)
Openalex Percentile: Top 6%
Humor Studies and Applications
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.