Revisiting the association between musical expertise and second-language proficiency

Abstract Musical expertise is frequently correlated with second-language (L2) proficiency, but it remains unclear whether this association generalizes across languages and measures. Here, we examined links between musical expertise and L2 proficiency among native speakers of Portuguese (Study 1) and Polish (Study 2). L2 (English) proficiency was assessed with both self-reports and objective tests of pragmatic competence. Musical expertise was defined as music training and musical ability, with ability assessed via self-reports and objective tests of melody and rhythm perception. In Study 1 (Portugal, n = 146), musical expertise showed no associations with L2 proficiency. In Study 2 (Poland, n = 174), after accounting for demographic variables and non-verbal reasoning, L2 proficiency correlated positively with self-reported musical ability, but not with music training or melody or rhythm perception. These findings suggest that links between musical expertise and L2 proficiency are weak, inconsistent, or contingent on how L2 proficiency is defined and measured.

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Publication Details

Journal
Royal Society Open Science
Published
2026-08-19
DOI
https://doi.org/10.1098/rsos.260535
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
0.00

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article

Revisiting the association between musical expertise and second-language proficiency

César F. Lima, E. Glenn Schellenberg, Jagoda Szwalbe, Ana Isabel Correia
Royal Society Open Science
Neuroscience and Music Perception
article

Revisiting the association between musical expertise and second-language proficiency

César F. Lima, E. Glenn Schellenberg, Jagoda Szwalbe, Ana Isabel Correia
article en

Abstract

Abstract Musical expertise is frequently correlated with second-language (L2) proficiency, but it remains unclear whether this association generalizes across languages and measures. Here, we examined links between musical expertise and L2 proficiency among native speakers of Portuguese (Study 1) and Polish (Study 2). L2 (English) proficiency was assessed with both self-reports and objective tests of pragmatic competence. Musical expertise was defined as music training and musical ability, with ability assessed via self-reports and objective tests of melody and rhythm perception. In Study 1 (Portugal, n = 146), musical expertise showed no associations with L2 proficiency. In Study 2 (Poland, n = 174), after accounting for demographic variables and non-verbal reasoning, L2 proficiency correlated positively with self-reported musical ability, but not with music training or melody or rhythm perception. These findings suggest that links between musical expertise and L2 proficiency are weak, inconsistent, or contingent on how L2 proficiency is defined and measured.

Royal Society Open ScienceVol. 13(8)
University of Music and Performing Arts Vienna (AT), University of Toronto (CA), Iscte – Instituto Universitário de Lisboa (PT)
Fundação para a Ciência e a Tecnologia
Quality Education
Openalex Percentile: Top 9%
Neuroscience and Music Perception
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