Embodied ethnographies: Entanglements in the Anthropocene

Abstract ‘Entanglements in the Anthropocene’ is an embodied exploration of the intersections of place, dance and lens‐based practices (photography and video). Lens‐based works discussed here result from collaborative research projects and grow from a shared curiosity about aesthetics in the Anthropocene and how to express entangled relationships with place. Broadly ethnographic, the work emerges from a quiet process of attunement to, participation in, and conscious engagement with, the material agencies of place. As a collection of embodied and ethnographic research, our photographs and video work express deep explorations of place‐based experiences, and memories and affect, and play with elemental motifs, the passage of time, and sensory experiences of climate change. These works collaboratively emerged during field visits with our local region over the last two years and the research is ongoing. In this article we theorise and reflect on some of these artworks as embodied ethnography of our entanglements in the Anthropocence.

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Publication Details

Journal
The Australian Journal of Anthropology
Published
2026-08-17
DOI
https://doi.org/10.1111/taja.70089
Primary Topic
Geographies of human-animal interactions
Type
article
Field-Weighted Citation Impact
0.00
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article

Embodied ethnographies: Entanglements in the Anthropocene

Rodrigo Hill, Karen Barbour
The Australian Journal of Anthropology
Geographies of human-animal interactions
article

Embodied ethnographies: Entanglements in the Anthropocene

Rodrigo Hill, Karen Barbour
article en

Abstract

Abstract ‘Entanglements in the Anthropocene’ is an embodied exploration of the intersections of place, dance and lens‐based practices (photography and video). Lens‐based works discussed here result from collaborative research projects and grow from a shared curiosity about aesthetics in the Anthropocene and how to express entangled relationships with place. Broadly ethnographic, the work emerges from a quiet process of attunement to, participation in, and conscious engagement with, the material agencies of place. As a collection of embodied and ethnographic research, our photographs and video work express deep explorations of place‐based experiences, and memories and affect, and play with elemental motifs, the passage of time, and sensory experiences of climate change. These works collaboratively emerged during field visits with our local region over the last two years and the research is ongoing. In this article we theorise and reflect on some of these artworks as embodied ethnography of our entanglements in the Anthropocence.

The Australian Journal of Anthropology
University of Waikato (NZ)
Climate action
Openalex Percentile: Top 3%
Geographies of human-animal interactions
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