The Abstract Foundations of Ratio: From Eternal Logic to Natural Phenomena

This paper explores the relationship between mathematical principles, logic, and ratio, proposing that these structures were neither invented by humans nor created alongside matter and time. Instead, they exist as eternal structures preceding the singularity and the Big Bang. Through an analysis of the distinction between self-contained "abstract reality" and time-dependent "concrete reality," the paper demonstrates that upon the manifestation of the first unit and physical phenomena, mathematical constants and ratios—such as \pi derived from a unit circle, \sqrt{2} from the diagonal of a unit square, musical ratios, the Golden Ratio, and the family of metallic ratios—were not newly created, but revealed from pre-existing truths. Furthermore, history reflects that humans applied musical ratios to architecture to achieve extraordinary beauty long before understanding the underlying theory. These instances confirm that humans are not creators of rules or beauty, but rather "Decoders" who discover and comprehend the simple order sustaining the universe since the beginning. This perspective aligns with Platonism, which posits that truth and abstract forms exist independently, eternally, and completely prior to the origin of the physical world.Keywords: Ratio, Eternal Logic, Mathematics, Music, Architecture, Singularity, Decoders

Authors

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-08-17
DOI
https://doi.org/10.5281/zenodo.21981102
Primary Topic
Architecture and Art History Studies
Type
preprint
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The Abstract Foundations of Ratio: From Eternal Logic to Natural Phenomena

Pracha Namprasertkul
Zenodo (CERN European Organization for Nuclear Research)
Architecture and Art History Studies
preprint

The Abstract Foundations of Ratio: From Eternal Logic to Natural Phenomena

Pracha Namprasertkul
preprint en

Abstract

This paper explores the relationship between mathematical principles, logic, and ratio, proposing that these structures were neither invented by humans nor created alongside matter and time. Instead, they exist as eternal structures preceding the singularity and the Big Bang. Through an analysis of the distinction between self-contained "abstract reality" and time-dependent "concrete reality," the paper demonstrates that upon the manifestation of the first unit and physical phenomena, mathematical constants and ratios—such as \pi derived from a unit circle, \sqrt{2} from the diagonal of a unit square, musical ratios, the Golden Ratio, and the family of metallic ratios—were not newly created, but revealed from pre-existing truths. Furthermore, history reflects that humans applied musical ratios to architecture to achieve extraordinary beauty long before understanding the underlying theory. These instances confirm that humans are not creators of rules or beauty, but rather "Decoders" who discover and comprehend the simple order sustaining the universe since the beginning. This perspective aligns with Platonism, which posits that truth and abstract forms exist independently, eternally, and completely prior to the origin of the physical world.Keywords: Ratio, Eternal Logic, Mathematics, Music, Architecture, Singularity, Decoders

Zenodo (CERN European Organization for Nuclear Research)
Architecture and Art History Studies
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The Abstract Foundations of Ratio: From Eternal Logic to Natural Phenomena — Pracha Namprasertkul · Zenodo (CERN European Organization for Nuclear Research) (2026) | TGRS Research Map | TGRS