Soft Shield of Comfort: Rediscovering Girlhood with the Quilt in <i>The BFG</i> (2016)

This study investigates how a domestic textile object, Sophie’s quilt, transcends its functional purpose to become a narrative “thing” in Disney’s The BFG (2016). The quilt is the primary object of analysis. Drawing on Thing theory (2001) and Gestalt Theory (1912) the paper argues that the quilt’s materiality, including its fabric, texture, and scent, shifts from passive comfort item to active narrative agent. Methodologically, the research employs close visual analysis of key scenes, focusing on mise-en-scène, framing, and character interaction with the quilt. The analysis also traces how the quilt also functions as a visual metaphor for safety, emotional protection, and childhood security, transitional object (Winnicott Citation1971), and finally a piece of evidence that drives the plot. This study contributes to material culture studies, production design studies, and feminist readings of children’s cinema by demonstrating how a single textile object can structure emotional logic, mediate character relationships, and function as an independent plot mechanism.

Authors

Publication Details

Journal
TEXTILE
Published
2026-08-03
DOI
https://doi.org/10.1080/14759756.2026.2709497
Primary Topic
Media, Gender, and Advertising
Type
article
Field-Weighted Citation Impact
0.00
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article

Soft Shield of Comfort: Rediscovering Girlhood with the Quilt in The BFG (2016)

Punyashree Panda, Rritwika Roychowdhury
TEXTILE
Media, Gender, and Advertising
article

Soft Shield of Comfort: Rediscovering Girlhood with the Quilt in The BFG (2016)

Punyashree Panda, Rritwika Roychowdhury
article en

Abstract

This study investigates how a domestic textile object, Sophie’s quilt, transcends its functional purpose to become a narrative “thing” in Disney’s The BFG (2016). The quilt is the primary object of analysis. Drawing on Thing theory (2001) and Gestalt Theory (1912) the paper argues that the quilt’s materiality, including its fabric, texture, and scent, shifts from passive comfort item to active narrative agent. Methodologically, the research employs close visual analysis of key scenes, focusing on mise-en-scène, framing, and character interaction with the quilt. The analysis also traces how the quilt also functions as a visual metaphor for safety, emotional protection, and childhood security, transitional object (Winnicott Citation1971), and finally a piece of evidence that drives the plot. This study contributes to material culture studies, production design studies, and feminist readings of children’s cinema by demonstrating how a single textile object can structure emotional logic, mediate character relationships, and function as an independent plot mechanism.

TEXTILE
Gender equality
Openalex Percentile: Top 4%
Media, Gender, and Advertising
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