Circling Gaza: screen memory and the Real of Ziofascist violence in Adania Shibli's <i>Minor Detail</i>

This article argues that Adania Shibli's Minor Detail stages an encounter with the colonial Real—the point at which settler-colonial violence exceeds representation and narrative interpretation collapses. This Real links the novella's two trajectories: a Ziofascist commander whose unit rapes and murders a Palestinian Bedouin girl in 1949, and a contemporary Palestinian woman who retraces the crime across a landscape structured by checkpoints, surveillance, and the bombardment of Gaza. Yet the Real is profoundly asymmetrical. For the Palestinian narrator, it emerges through her fixation on the historical rape, which functions as a screen memory through which another trauma can only be approached indirectly. For the commander, the Real appears at the limit of colonial purification, where bodily hysteria and ritualized discipline signal the disintegration of the colonial symbolic order and expose the colonial Real as a structural limit of narrative itself.

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Publication Details

Journal
Middle Eastern Literatures
Published
2026-07-26
DOI
https://doi.org/10.1080/1475262x.2026.2656650
Primary Topic
Jewish and Middle Eastern Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Circling Gaza: screen memory and the Real of Ziofascist violence in Adania Shibli's Minor Detail

Jamil Khader
Middle Eastern Literatures
Jewish and Middle Eastern Studies
article

Circling Gaza: screen memory and the Real of Ziofascist violence in Adania Shibli's Minor Detail

Jamil Khader
article en

Abstract

This article argues that Adania Shibli's Minor Detail stages an encounter with the colonial Real—the point at which settler-colonial violence exceeds representation and narrative interpretation collapses. This Real links the novella's two trajectories: a Ziofascist commander whose unit rapes and murders a Palestinian Bedouin girl in 1949, and a contemporary Palestinian woman who retraces the crime across a landscape structured by checkpoints, surveillance, and the bombardment of Gaza. Yet the Real is profoundly asymmetrical. For the Palestinian narrator, it emerges through her fixation on the historical rape, which functions as a screen memory through which another trauma can only be approached indirectly. For the commander, the Real appears at the limit of colonial purification, where bodily hysteria and ritualized discipline signal the disintegration of the colonial symbolic order and expose the colonial Real as a structural limit of narrative itself.

Middle Eastern Literatures
Bethune-Cookman University (US)
Gender equality
Openalex Percentile: Top 4%
Jewish and Middle Eastern Studies
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