Signing with the Dead: The Contract behind Historical Fiction

Abstract The typical criticism that a work of historical fiction is aesthetically flawed because it is historically inaccurate is puzzling. In this article, I argue for a fundamental modification of Iskra Fileva’s contract solution to the puzzle of historical fiction. I agree with Christopher Bartel and Fileva that other solutions in the literature, like appealing to genre, imaginative resistance, and import–export inconsistency, fail to solve the puzzle. However, I recommend that the contract between creator and audience be expanded to include a third party: the historical figures featured in the historical fiction. In this way, we make contracts with the dead when we engage with historical fiction.

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Publication Details

Journal
The British Journal of Aesthetics
Published
2026-07-23
DOI
https://doi.org/10.1093/aesthj/ayag017
Primary Topic
Ethics, Aesthetics, and Art
Type
article
Field-Weighted Citation Impact
0.00
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article

Signing with the Dead: The Contract behind Historical Fiction

Nathan Huffine
The British Journal of Aesthetics
Ethics, Aesthetics, and Art
article

Signing with the Dead: The Contract behind Historical Fiction

Nathan Huffine
article en

Abstract

Abstract The typical criticism that a work of historical fiction is aesthetically flawed because it is historically inaccurate is puzzling. In this article, I argue for a fundamental modification of Iskra Fileva’s contract solution to the puzzle of historical fiction. I agree with Christopher Bartel and Fileva that other solutions in the literature, like appealing to genre, imaginative resistance, and import–export inconsistency, fail to solve the puzzle. However, I recommend that the contract between creator and audience be expanded to include a third party: the historical figures featured in the historical fiction. In this way, we make contracts with the dead when we engage with historical fiction.

The British Journal of Aesthetics
University of Colorado Boulder (US), University of Colorado System (US)
Openalex Percentile: Top 2%
Ethics, Aesthetics, and Art
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