A cross-cultural innovation: The methodology for adapting <i>Moku-Zogan</i> techniques to contemporary furniture design development

This research explores how the traditional Japanese Moku-Zogan wood inlay technique can be adapted to reflect Malaysian cultural identity in contemporary furniture design. It examines how cross-cultural elements influence creative design thinking and innovation. Using a two-phase methodology, the study first analyses design development through two key frameworks: the Biomimicry Design Process (BDP) and the Hybrid Art Identity (HAI) Framework. In the second phase, the research assesses how these theories translate into practice by observing 10 design students over a year-long project. Pre- and post-design surveys measure changes in their thinking. The study offers valuable insights into integrating cultural heritage with modern design, contributing to a deeper understanding of cross-cultural innovation in the design process.

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Publication Details

Journal
The Design Journal
Published
2026-07-17
DOI
https://doi.org/10.1080/14606925.2026.2694571
Primary Topic
Cultural and Communication Design Research
Type
article
Field-Weighted Citation Impact
0.00

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article

A cross-cultural innovation: The methodology for adapting Moku-Zogan techniques to contemporary furniture design development

Azyyati Anuar, Akira Ueda, Yanti Mustapha, Nazlina Shaari et al.
The Design Journal
Cultural and Communication Design Research
article

A cross-cultural innovation: The methodology for adapting Moku-Zogan techniques to contemporary furniture design development

Azyyati Anuar, Akira Ueda, Yanti Mustapha, Nazlina Shaari, Valerie Michael, Wan Noor Faaizah Wan Omar
article en

Abstract

This research explores how the traditional Japanese Moku-Zogan wood inlay technique can be adapted to reflect Malaysian cultural identity in contemporary furniture design. It examines how cross-cultural elements influence creative design thinking and innovation. Using a two-phase methodology, the study first analyses design development through two key frameworks: the Biomimicry Design Process (BDP) and the Hybrid Art Identity (HAI) Framework. In the second phase, the research assesses how these theories translate into practice by observing 10 design students over a year-long project. Pre- and post-design surveys measure changes in their thinking. The study offers valuable insights into integrating cultural heritage with modern design, contributing to a deeper understanding of cross-cultural innovation in the design process.

The Design Journal
Universiti Putra Malaysia (MY), Chiba University (JP), Universiti Teknologi MARA (MY)
Toshiba International Foundation
Sustainable cities and communities
Openalex Percentile: Top 2%
Cultural and Communication Design Research
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