GENAI, PROTEST, AND PUBLIC DISCOURSE: THE ROLE OF THE HUMANITIES IN RESISTING SLOPAGANDA

AI-generated memetic warfare uses the appeal of memes and the distributive power of social media to reach and influence a wide audience, a tactic seen widely used in the first few months of the 2026 conflict among Iran and Israel and the United States. By analyzing a series of viral videos generated in the same style as the Lego Movie franchise in support of Iran, this paper explores the implications of this new technology on the way we wage war as well as on global economies, the environment, and societal health. I examine the distinctions among propaganda, “slopaganda,” and legitimate protest as well as the relationship between propaganda and social media platforms. I suggest how the humanities may serve not only to resist the unwanted effects of propaganda but also to engender the more desirable empathetic identification and understanding of legitimate protesters, no matter the media they use to draw attention to their cause.

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Publication Details

Journal
Journal of Humanities and AI
Published
2026-06-30
DOI
https://doi.org/10.66532/jhai.2026.0012
Primary Topic
Terrorism, Counterterrorism, and Political Violence
Type
article
Field-Weighted Citation Impact
0.00
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article

GENAI, PROTEST, AND PUBLIC DISCOURSE: THE ROLE OF THE HUMANITIES IN RESISTING SLOPAGANDA

SARAH EILEFSON
Journal of Humanities and AI
Terrorism, Counterterrorism, and Political Violence
article

GENAI, PROTEST, AND PUBLIC DISCOURSE: THE ROLE OF THE HUMANITIES IN RESISTING SLOPAGANDA

SARAH EILEFSON
article en

Abstract

AI-generated memetic warfare uses the appeal of memes and the distributive power of social media to reach and influence a wide audience, a tactic seen widely used in the first few months of the 2026 conflict among Iran and Israel and the United States. By analyzing a series of viral videos generated in the same style as the Lego Movie franchise in support of Iran, this paper explores the implications of this new technology on the way we wage war as well as on global economies, the environment, and societal health. I examine the distinctions among propaganda, “slopaganda,” and legitimate protest as well as the relationship between propaganda and social media platforms. I suggest how the humanities may serve not only to resist the unwanted effects of propaganda but also to engender the more desirable empathetic identification and understanding of legitimate protesters, no matter the media they use to draw attention to their cause.

Journal of Humanities and AIVol. 1(2)
University of Minnesota, Duluth (US)
Decent work and economic growth
Openalex Percentile: Top 5%
Terrorism, Counterterrorism, and Political Violence
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