Data Materialization: Principles and Practices in Artistic Research 46

We describe data materialization as a practice-based artistic research approach that translates data into physical art objects, emphasizing conceptual connection, interaction, and engagement over legibility. Drawing on an indicative review of recent data art practices, we propose data materialization as a distinct sub-genre of data art, informed by but separate from data visualization and data physicalization. We further propose a series of theoretical principles for this practice, and illustrate them through a series of original artworks. The key principles of data materialization are: 1) data are used as raw material, 2) data have a conceptual connection to the physical material, 3) data are intentionally abstracted and non-decodable, and 4) objects can be two- or three-dimensional and embrace analog processes. We frame data materialization as a mode of epistemic translation, a practice for turning abstract data into physical objects that express emotion and meaning rather than literal values. This paper suggests ways in which data materialization may transform data into shapes, forms, and installations that invite reflection, interpretation, and meaning-making.

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Publication Details

Journal
Proceedings of the ACM on Computer Graphics and Interactive Techniques
Published
2026-06-29
DOI
https://doi.org/10.1145/3816082
Primary Topic
Data Visualization and Analytics
Type
article
Field-Weighted Citation Impact
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article

Data Materialization: Principles and Practices in Artistic Research 46

Susan Reiser, Courtney Starrett
Proceedings of the ACM on Computer Graphics and Interactive Techniques
Data Visualization and Analytics
article

Data Materialization: Principles and Practices in Artistic Research 46

Susan Reiser, Courtney Starrett
article en

Abstract

We describe data materialization as a practice-based artistic research approach that translates data into physical art objects, emphasizing conceptual connection, interaction, and engagement over legibility. Drawing on an indicative review of recent data art practices, we propose data materialization as a distinct sub-genre of data art, informed by but separate from data visualization and data physicalization. We further propose a series of theoretical principles for this practice, and illustrate them through a series of original artworks. The key principles of data materialization are: 1) data are used as raw material, 2) data have a conceptual connection to the physical material, 3) data are intentionally abstracted and non-decodable, and 4) objects can be two- or three-dimensional and embrace analog processes. We frame data materialization as a mode of epistemic translation, a practice for turning abstract data into physical objects that express emotion and meaning rather than literal values. This paper suggests ways in which data materialization may transform data into shapes, forms, and installations that invite reflection, interpretation, and meaning-making.

Proceedings of the ACM on Computer Graphics and Interactive TechniquesVol. 9(3)
Mitchell Institute (US), University of North Carolina at Asheville (US), Texas A&M University (US)
Reduced inequalities
Openalex Percentile: Top 7%
Data Visualization and Analytics
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