POETICS OF TIME AND SPACE IN MINIMALIST PROSE

This article examines the poetics of time and space in minimalist prose. The study focuses on the artistic organization of these categories based on the principles of reduction, fragmentation, and implication. It is shown that in minimalist texts time and space are presented in a compressed and symbolically enriched form, while their interaction forms specific chronotopic structures. The research concludes that time and space function not only as descriptive elements but also as essential meaning-making components of the text.