Feeling Our Way Forward: Affect, Imaginative Agency, and Design in Future-Making

This paper outlines the understanding of imaginative agency – the confidence, capacity, and creativity to imagine plural and equitable collective futures and move toward them – through examples from workshop-based participatory research. It shows how emotions play a vital role in animating imaginative agency and enabling its affective and bodily complexity. This approach counters the common neglect of feelings as world-making forces in design practice – an evasion that reproduces dominant narratives and unjust structures. The discussion is anchored in work on affect, bringing these insights together with practices of design that materialize and explore futures. More concretely, imaginative agency at work is illustrated through systems-shifting and future-oriented projects, demonstrating how participatory co-design workshops engage emotions and embodiment to create space for anticipating life otherwise. Through three themes – orienting, imagining, and locating –imaginative agency activated in practice is explored, showing how people’s emotions and embodied sensemaking bring possible futures closer.

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Publication Details

Journal
Design and Culture
Published
2026-06-25
DOI
https://doi.org/10.1080/17547075.2026.2680411
Primary Topic
Innovative Human-Technology Interaction
Type
article
Field-Weighted Citation Impact
0.00

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article

Feeling Our Way Forward: Affect, Imaginative Agency, and Design in Future-Making

Shanti Sumartojo, Myf Doughty, Isabella Brandalise, Lisa Grocott et al.
Design and Culture
Innovative Human-Technology Interaction
article

Feeling Our Way Forward: Affect, Imaginative Agency, and Design in Future-Making

Shanti Sumartojo, Myf Doughty, Isabella Brandalise, Lisa Grocott, Stacy Holman Jones
article en

Abstract

This paper outlines the understanding of imaginative agency – the confidence, capacity, and creativity to imagine plural and equitable collective futures and move toward them – through examples from workshop-based participatory research. It shows how emotions play a vital role in animating imaginative agency and enabling its affective and bodily complexity. This approach counters the common neglect of feelings as world-making forces in design practice – an evasion that reproduces dominant narratives and unjust structures. The discussion is anchored in work on affect, bringing these insights together with practices of design that materialize and explore futures. More concretely, imaginative agency at work is illustrated through systems-shifting and future-oriented projects, demonstrating how participatory co-design workshops engage emotions and embodiment to create space for anticipating life otherwise. Through three themes – orienting, imagining, and locating –imaginative agency activated in practice is explored, showing how people’s emotions and embodied sensemaking bring possible futures closer.

Design and Culture
Monash University (AU)
Wellcome Trust, Stanford Bio-X, Australian Research Council
Reduced inequalities
Openalex Percentile: Top 5%
Innovative Human-Technology Interaction
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