Urban Objects and Identity in Historic Contexts

<p>The urban object, as a fragment of the city through which urban identity is expressed, embodies the physical traits, social practices, and collective memory that shape the character of urban spaces. In Italian historic centers, where the urban structure largely remains unchanged, social and cultural transformations often produce a disconnect between physical space and everyday life. When places lose function and vitality, the urban objects that once supported their identity may become obsolete or lose significance in a contemporary context. This work investigates how urban objects, conceived as active mediators between contemporary behaviors and identity, can revitalize historic contexts, thereby facilitating reconnection among people, places, and collective memory. Drawing on design experiments conducted in selected historic squares of Viterbo, the study explores new typologies of urban objects capable of fostering social interaction and place activation, providing insights that inform reflections developed in this article. The integration of digital and “smart” technologies is intended not as a mere technological upgrade. It represents a cultural and design approach capable of reinterpreting the memory and specificity of places. By reconsidering smartness as a form of temporal continuity that connects past meanings with present practices, the study frames urban design as a practice “across time.” The objects act as agents of augmented identity, bridging memory, behavior, and innovation. The article offers a critical reflection on how design can sustain continuity between memory, behavior, and identity in historic public space.</p>

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Publication Details

Journal
Design Principles and Practices An International Journal—Annual Review
Published
2026-06-18
DOI
https://doi.org/10.18848/1833-1874/cgp/a802
Primary Topic
Cultural Heritage Management and Preservation
Type
article
Field-Weighted Citation Impact
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article

Urban Objects and Identity in Historic Contexts

Carla Farina
Design Principles and Practices An International Journal—Annual Review
Cultural Heritage Management and Preservation
article

Urban Objects and Identity in Historic Contexts

Carla Farina
article en

Abstract

<p>The urban object, as a fragment of the city through which urban identity is expressed, embodies the physical traits, social practices, and collective memory that shape the character of urban spaces. In Italian historic centers, where the urban structure largely remains unchanged, social and cultural transformations often produce a disconnect between physical space and everyday life. When places lose function and vitality, the urban objects that once supported their identity may become obsolete or lose significance in a contemporary context. This work investigates how urban objects, conceived as active mediators between contemporary behaviors and identity, can revitalize historic contexts, thereby facilitating reconnection among people, places, and collective memory. Drawing on design experiments conducted in selected historic squares of Viterbo, the study explores new typologies of urban objects capable of fostering social interaction and place activation, providing insights that inform reflections developed in this article. The integration of digital and “smart” technologies is intended not as a mere technological upgrade. It represents a cultural and design approach capable of reinterpreting the memory and specificity of places. By reconsidering smartness as a form of temporal continuity that connects past meanings with present practices, the study frames urban design as a practice “across time.” The objects act as agents of augmented identity, bridging memory, behavior, and innovation. The article offers a critical reflection on how design can sustain continuity between memory, behavior, and identity in historic public space.</p>

Design Principles and Practices An International Journal—Annual Review
Università degli Studi della Tuscia (IT)
Sustainable cities and communities
Openalex Percentile: Top 3%
Cultural Heritage Management and Preservation
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