Violence, Celebrity Culture, and Ritual: Dramatized Role-Playing in the Television Genre of Celebrity Boxing

Sports-based television formats combining competition, cooperation, and physical confrontation have long attracted large audiences. Since the 2000s reality television has increasingly adapted these elements, particularly through wrestling- and boxing-themed programs. This study examines the genre of celebrity boxing within the broader context of contemporary media culture, with the aim of interpreting its popularity through perspectives from communication and media theory. The analysis applies a qualitative approach drawing on concepts such as the media violence and Carey’s and Couldry’s ritual model of communication and includes an empirical case study of the Hungarian television program Sztárbox. The findings suggest that celebrity boxing operates as a pseudo-sporting spectacle that combines media violence with celebrity culture to maintain audience attention, while its dramaturgy—following Barthes’ and Jenkins’ interpretations—relies heavily on simplified moral oppositions and dramatized role-playing. These elements function as micro-rituals that structure viewer engagement and contribute to collective meaning-making beyond mere entertainment. The study concludes that the appeal of celebrity boxing lies not only in the display of physical confrontation but in its ritualized narrative framework, which reinforces social and cultural interpretations of conflict, identity, and spectacle within the logic of contemporary media environments.