The Capitalization of the Self. The Face Between Seduction and Monetization

This article aims to explore webcamming – a digital activity in which many individuals have begun using webcams for live sex performances – a sector that offers spectators the opportunity to interact in real-time. The study examines how digital self-representations transition from “seductive models of meaning communication” (Soro 2021), with a particular focus on the capitalization of intimacy, the new criteria of self-exposure in digitalized environments, and how bodies are perceived and evaluated. The paper seeks to present an additional monetizable configuration of identity that tends toward a networked self, analyzing cam sites and paid platforms in relation to case studies from the worlds of cinema and contemporary art. This scenario has also influenced contemporary relationships, now increasingly based on a “contractual relationship” (Benasayag and Schmit 2018), shaping a society that, by virtue of its hypervisibility, is defined as “pornographic” (Han 2014). All of this is facilitated by the ubiquity enabled by new media devices, which operate in an ongoing “on” mode, as summarized by the slogan 24/7 (Crary 2015). The smartphone, in this context, becomes the prosthesis of desire that ensures continuity between body, image, and commodity.

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Publication Details

Journal
AN-ICON Studies in Environmental Images [ISSN 2785-7433]
Published
2026-06-17
DOI
https://doi.org/10.54103/ai/28532
Primary Topic
Sexuality, Behavior, and Technology
Type
article
Field-Weighted Citation Impact
0.00
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article

The Capitalization of the Self. The Face Between Seduction and Monetization

Massimo Clemente
AN-ICON Studies in Environmental Images [ISSN 2785-7433]
Sexuality, Behavior, and Technology
article

The Capitalization of the Self. The Face Between Seduction and Monetization

Massimo Clemente
article en

Abstract

This article aims to explore webcamming – a digital activity in which many individuals have begun using webcams for live sex performances – a sector that offers spectators the opportunity to interact in real-time. The study examines how digital self-representations transition from “seductive models of meaning communication” (Soro 2021), with a particular focus on the capitalization of intimacy, the new criteria of self-exposure in digitalized environments, and how bodies are perceived and evaluated. The paper seeks to present an additional monetizable configuration of identity that tends toward a networked self, analyzing cam sites and paid platforms in relation to case studies from the worlds of cinema and contemporary art. This scenario has also influenced contemporary relationships, now increasingly based on a “contractual relationship” (Benasayag and Schmit 2018), shaping a society that, by virtue of its hypervisibility, is defined as “pornographic” (Han 2014). All of this is facilitated by the ubiquity enabled by new media devices, which operate in an ongoing “on” mode, as summarized by the slogan 24/7 (Crary 2015). The smartphone, in this context, becomes the prosthesis of desire that ensures continuity between body, image, and commodity.

AN-ICON Studies in Environmental Images [ISSN 2785-7433]Vol. 4(I)
University of Turin (IT)
Gender equality
Openalex Percentile: Top 6%
Sexuality, Behavior, and Technology
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