The Aesthetics of Photographic Production

The Aesthetics of Photographic Production is a media-rich Research Catalogue exposition emerging from an AHRC-funded long-term practice research project (2018–24) that investigates photographic production as a multisensory, material, and more-than-human field of making. The project’s dissemination strategy is threefold: this exposition, a published monograph (Jaeger 2025), and the performance and exhibition of artworks, each calibrated to communicate the research through distinct epistemic affordances. Grounded in sensory field encounters within commercial laboratories and manufacturing facilities — Bayeux London, Make it Easy Lab Nottingham, Fujifilm Tilburg, and Polaroid Enschede — the exposition foregrounds production ecologies where photographic work emerges through distributed relations among technicians, machines, paper, chemistry, protocols, speed, and darkness.The exposition is organised by two objectives: to examine what else besides the photograph is aesthetically made in photographic production, and to explore the implications of this shift for the concept of photographic practice (Jaeger 2025). These aims are pursued through four subpages — tensioning, tearing, fogging, and fieldwork — which assemble visual, sonic, and audiovisual materials to render process insights encounterable. Rather than privileging the finished image, the exposition attends to practices of calibration, residue, and non-image making, where touch, listening, rhythm, and material agency become central to photographic knowledge and to expanded understandings of photographic practice.<style scoped="scoped">/* rules to make button only show up in META */.download-accessible { display:none;}.meta-right-col .download-accessible { display: inline-block; padding: 9px; margin-bottom:25px; border: 1px solid black; background-color:white;}</style><a class="download-accessible" href="/researches/4706387/download/4706393" title="This accessible PDF is a derivative of the original which it is meant to support and not replace.">Download Accessible PDF</a> keywords: Posthuman performativity, aesthetic experience, production process, photographic practice, beyond representation, post-photography, material Imagination, material engagement, production aesthetics, PHOTOGRAPHY, photographic methods, photograph, photosculpture, photogrammetry, photographic thinking

Authors

Publication Details

Journal
Journal for Artistic Research
Published
2026-06-17
DOI
https://doi.org/10.22501/jar.603276
Primary Topic
Photography and Visual Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

The Aesthetics of Photographic Production

Andrea Jaeger
Journal for Artistic Research
Photography and Visual Culture
article

The Aesthetics of Photographic Production

Andrea Jaeger
article en

Abstract

The Aesthetics of Photographic Production is a media-rich Research Catalogue exposition emerging from an AHRC-funded long-term practice research project (2018–24) that investigates photographic production as a multisensory, material, and more-than-human field of making. The project’s dissemination strategy is threefold: this exposition, a published monograph (Jaeger 2025), and the performance and exhibition of artworks, each calibrated to communicate the research through distinct epistemic affordances. Grounded in sensory field encounters within commercial laboratories and manufacturing facilities — Bayeux London, Make it Easy Lab Nottingham, Fujifilm Tilburg, and Polaroid Enschede — the exposition foregrounds production ecologies where photographic work emerges through distributed relations among technicians, machines, paper, chemistry, protocols, speed, and darkness.The exposition is organised by two objectives: to examine what else besides the photograph is aesthetically made in photographic production, and to explore the implications of this shift for the concept of photographic practice (Jaeger 2025). These aims are pursued through four subpages — tensioning, tearing, fogging, and fieldwork — which assemble visual, sonic, and audiovisual materials to render process insights encounterable. Rather than privileging the finished image, the exposition attends to practices of calibration, residue, and non-image making, where touch, listening, rhythm, and material agency become central to photographic knowledge and to expanded understandings of photographic practice.<style scoped="scoped">/* rules to make button only show up in META */.download-accessible { display:none;}.meta-right-col .download-accessible { display: inline-block; padding: 9px; margin-bottom:25px; border: 1px solid black; background-color:white;}</style><a class="download-accessible" href="/researches/4706387/download/4706393" title="This accessible PDF is a derivative of the original which it is meant to support and not replace.">Download Accessible PDF</a> keywords: Posthuman performativity, aesthetic experience, production process, photographic practice, beyond representation, post-photography, material Imagination, material engagement, production aesthetics, PHOTOGRAPHY, photographic methods, photograph, photosculpture, photogrammetry, photographic thinking

Journal for Artistic Research(38)
Openalex Percentile: Top 3%
Photography and Visual Culture
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