Crowded Cities, Empty Spains and a Desire to Be Free: A Comparative Study of <i>Los Asquerosos</i> (Lorenzo, 2018) and <i>Nazarín</i> (Galdós,1895)

This essay compares Santiago Lorenzo’s 2018 novel Los Asquerosos and Benito Pérez Galdós’s 1895 novel, Nazarín . My interest is in how these two novels share an almost identical narrative structure that is sustained by a set of similar tropes related to the urban/ rural binary. I first show how they present a complex vision of life in the countryside: these authors avoid presenting a facile idealization of the rural while demonstrating the interrelationships between country and city. Next, focusing on differences between the novels, I consider how Spain and its countryside changed in the more than 120 years between the two novels. Finally, I demonstrate how they both represent the rural as the place of a desired, if ultimately unrealized, ideal of personal freedom in the modern world; one full of contradictions and that may not offer a positive, collective vision for the future, even as it opens up a space for imagining new possibilities. This article was published open access under a CC BY licence: https://creativecommons.org/licenses/by/4.0/ .

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Publication Details

Journal
Bulletin of Hispanic Studies
Published
2026-06-16
DOI
https://doi.org/10.3828/bhs.2026.32
Primary Topic
Spanish Literature and Culture Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Crowded Cities, Empty Spains and a Desire to Be Free: A Comparative Study of Los Asquerosos (Lorenzo, 2018) and Nazarín (Galdós,1895)

JUSTIN BERNER
Bulletin of Hispanic Studies
Spanish Literature and Culture Studies
article

Crowded Cities, Empty Spains and a Desire to Be Free: A Comparative Study of Los Asquerosos (Lorenzo, 2018) and Nazarín (Galdós,1895)

JUSTIN BERNER
article en

Abstract

This essay compares Santiago Lorenzo’s 2018 novel Los Asquerosos and Benito Pérez Galdós’s 1895 novel, Nazarín . My interest is in how these two novels share an almost identical narrative structure that is sustained by a set of similar tropes related to the urban/ rural binary. I first show how they present a complex vision of life in the countryside: these authors avoid presenting a facile idealization of the rural while demonstrating the interrelationships between country and city. Next, focusing on differences between the novels, I consider how Spain and its countryside changed in the more than 120 years between the two novels. Finally, I demonstrate how they both represent the rural as the place of a desired, if ultimately unrealized, ideal of personal freedom in the modern world; one full of contradictions and that may not offer a positive, collective vision for the future, even as it opens up a space for imagining new possibilities. This article was published open access under a CC BY licence: https://creativecommons.org/licenses/by/4.0/ .

Bulletin of Hispanic StudiesVol. 103(6)
New York University (US)
Openalex Percentile: Top 2%
Spanish Literature and Culture Studies
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