Rereading Motherhood in Hindi Novels: A Feminist Literary Analysis

Motherhood is one of the most persistently recurring human experiences in literary history. In Hindi novel literature, motherhood has traditionally been portrayed as a symbol of sacrifice, tenderness, and selfless devotion. However, modern and contemporary Hindi novels have offered a critical rereading of this concept — one in which the mother is not merely a nurturer but also an autonomous, struggling, and questioning human being. From Premchand's Godan (1936) to Mridula Garg's Chittakobra (1979), Maitreyi Pushpa's Idannamam (1994), and Alka Saravagi's Kalikatha: Via Bypass (1998), the image of motherhood in Hindi novels has evolved continuously. Drawing on feminist literary criticism, this paper analyses the diverse dimensions of motherhood — traditional, rebellious, absent, and reconstructed — across three broad periods of Hindi fiction.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-06-13
DOI
https://doi.org/10.5281/zenodo.20674937
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
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article

Rereading Motherhood in Hindi Novels: A Feminist Literary Analysis

Dr. Nutan Satapathy¹
Zenodo (CERN European Organization for Nuclear Research)
South Asian Cinema and Culture
article

Rereading Motherhood in Hindi Novels: A Feminist Literary Analysis

Dr. Nutan Satapathy¹
article en

Abstract

Motherhood is one of the most persistently recurring human experiences in literary history. In Hindi novel literature, motherhood has traditionally been portrayed as a symbol of sacrifice, tenderness, and selfless devotion. However, modern and contemporary Hindi novels have offered a critical rereading of this concept — one in which the mother is not merely a nurturer but also an autonomous, struggling, and questioning human being. From Premchand's Godan (1936) to Mridula Garg's Chittakobra (1979), Maitreyi Pushpa's Idannamam (1994), and Alka Saravagi's Kalikatha: Via Bypass (1998), the image of motherhood in Hindi novels has evolved continuously. Drawing on feminist literary criticism, this paper analyses the diverse dimensions of motherhood — traditional, rebellious, absent, and reconstructed — across three broad periods of Hindi fiction.

Zenodo (CERN European Organization for Nuclear Research)
Gender equality
Openalex Percentile: Top 1%
South Asian Cinema and Culture
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