Technology as Cultural Preservation: Digital Tools for Endangered Music Traditions

This paper examines why endangered music traditions continue to decline despite large-scale digitization efforts. It argues that the primary challenge is not the preservation of cultural content but the transmission of musical practice, including pedagogical methods, social context, and embodied knowledge. Through a systematic literature review and four structured case studies, the research analyzes existing digital tools and demonstrates that most current systems function primarily as archives rather than effective transmission platforms. Drawing on theories from postcolonial computing, value-sensitive design, activity theory, and self-determination theory, the paper proposes a five-principle framework for transmission-focused music software: Pedagogical Fidelity, Practice Visibility, Community Embeddedness, Generational Interface Design, and Organic Adoption as a Validation Metric. The study highlights a significant gap in computer science and HCI approaches to cultural preservation and provides a foundation for designing technologies that support the continued practice and intergenerational transmission of living musical traditions.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-06-12
DOI
https://doi.org/10.5281/zenodo.20656976
Primary Topic
Music Technology and Sound Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Technology as Cultural Preservation: Digital Tools for Endangered Music Traditions

Tanay Pant
Zenodo (CERN European Organization for Nuclear Research)
Music Technology and Sound Studies
article

Technology as Cultural Preservation: Digital Tools for Endangered Music Traditions

Tanay Pant
article en

Abstract

This paper examines why endangered music traditions continue to decline despite large-scale digitization efforts. It argues that the primary challenge is not the preservation of cultural content but the transmission of musical practice, including pedagogical methods, social context, and embodied knowledge. Through a systematic literature review and four structured case studies, the research analyzes existing digital tools and demonstrates that most current systems function primarily as archives rather than effective transmission platforms. Drawing on theories from postcolonial computing, value-sensitive design, activity theory, and self-determination theory, the paper proposes a five-principle framework for transmission-focused music software: Pedagogical Fidelity, Practice Visibility, Community Embeddedness, Generational Interface Design, and Organic Adoption as a Validation Metric. The study highlights a significant gap in computer science and HCI approaches to cultural preservation and provides a foundation for designing technologies that support the continued practice and intergenerational transmission of living musical traditions.

Zenodo (CERN European Organization for Nuclear Research)
Montessori Education Center of the Rockies (US)
Openalex Percentile: Top 4%
Music Technology and Sound Studies
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Technology as Cultural Preservation: Digital Tools for Endangered Music Traditions — Tanay Pant · Zenodo (CERN European Organization for Nuclear Research) (2026) | TGRS Research Map | TGRS