The dark side of brilliance: diamonds as troubled commodities

Diamonds are among the most celebrated luxury commodities in global markets, symbolizing love, status, success, and permanence. Yet behind this glamorous façade lies a deeply troubled commodity whose value is historically and contemporarily entangled with colonial violence, cultural oppression, ecological destruction, and moral controversy. This article reframes diamonds not as enduring marketplace icons but as commodities that consistently generate, manage, and redistribute trouble. From the colonial afterlives of iconic stones and the normalization of debt-driven romantic consumption to the exclusion of lab-grown alternatives and the limits of conflict and sustainability certifications, the industry repeatedly co-opts critique while preserving an extractive and fundamentally unsustainable market system. By foregrounding diamonds as a paradigmatic troubled commodity, this article contributes to a growing interest in how markets perpetuate or fail to resolve economic, social, and cultural troubles.

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Publication Details

Journal
Consumption Markets & Culture
Published
2026-06-09
DOI
https://doi.org/10.1080/10253866.2026.2682768
Primary Topic
Mineralogy and Gemology Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The dark side of brilliance: diamonds as troubled commodities

Delphine Dion, Roman Pavlyuchenko
Consumption Markets & Culture
Mineralogy and Gemology Studies
article

The dark side of brilliance: diamonds as troubled commodities

Delphine Dion, Roman Pavlyuchenko
article en

Abstract

Diamonds are among the most celebrated luxury commodities in global markets, symbolizing love, status, success, and permanence. Yet behind this glamorous façade lies a deeply troubled commodity whose value is historically and contemporarily entangled with colonial violence, cultural oppression, ecological destruction, and moral controversy. This article reframes diamonds not as enduring marketplace icons but as commodities that consistently generate, manage, and redistribute trouble. From the colonial afterlives of iconic stones and the normalization of debt-driven romantic consumption to the exclusion of lab-grown alternatives and the limits of conflict and sustainability certifications, the industry repeatedly co-opts critique while preserving an extractive and fundamentally unsustainable market system. By foregrounding diamonds as a paradigmatic troubled commodity, this article contributes to a growing interest in how markets perpetuate or fail to resolve economic, social, and cultural troubles.

Consumption Markets & Culture
École Supérieure des Sciences Économiques et Commerciales (FR), University of Bath (GB)
Openalex Percentile: Top 8%
Mineralogy and Gemology Studies
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The dark side of brilliance: diamonds as troubled commodities — Delphine Dion, Roman Pavlyuchenko · Consumption Markets & Culture (2026) | TGRS Research Map | TGRS