The invention of blackness in Ovid’s Metamorphoses

Abstract In Ovid’s Metamorphoses (1.750–2.365), the Roman poet gives an aetiology of blackness via the myth of Phaethon, whose failure to control his father’s solar chariot leads to the scorching of the earth. This article situates Ovid’s myth of Phaethon within ancient discourses of race, contextualizing the sequence within ancient environmental theory, racial affect theory, and the melancholic tensions of Rome’s enslaving practices. The article concludes with an analysis of the reception of Ovid’s myth of Phaethon in Rita Dove’s The Darker Face of the Earth (1994).

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Publication Details

Journal
postmedieval a journal of medieval cultural studies
Published
2026-05-29
DOI
https://doi.org/10.1057/s41280-026-00418-0
Primary Topic
Spatial and Cultural Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The invention of blackness in Ovid’s Metamorphoses

Hannah Čulík-Baird
postmedieval a journal of medieval cultural studies
Spatial and Cultural Studies
article

The invention of blackness in Ovid’s Metamorphoses

Hannah Čulík-Baird
article en

Abstract

Abstract In Ovid’s Metamorphoses (1.750–2.365), the Roman poet gives an aetiology of blackness via the myth of Phaethon, whose failure to control his father’s solar chariot leads to the scorching of the earth. This article situates Ovid’s myth of Phaethon within ancient discourses of race, contextualizing the sequence within ancient environmental theory, racial affect theory, and the melancholic tensions of Rome’s enslaving practices. The article concludes with an analysis of the reception of Ovid’s myth of Phaethon in Rita Dove’s The Darker Face of the Earth (1994).

postmedieval a journal of medieval cultural studies
University of California, Los Angeles (US)
Openalex Percentile: Top 3%
Spatial and Cultural Studies
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