Mediating the Vikings:Popular Culture, Character Types, and Museum Audience Experiences

This article explores the dynamic interplay between Viking character types in popular culture and museum audiences. We examine how pervasive mediated Viking imagery shapes expectations, conceptualizing it as ‘character types’ activated in museum settings. Using qualitative interviews conducted at two Danish museums, we identify six dominant ‘Viking character types’: The Warrior, The Monster, The Explorer/Craftsman, The Feminist, The Style Icon, and The Non-Playing Character. Our findings show that audiences negotiate the tension between popular constructions of the past and historical scholarship, often expressing embarrassment, criticism, or rejection of fictional content. This highlights the Viking as an ‘open construction’ – a flexible character type that audiences fill with meaning. It is crucial for museums to understand these appropriations to effectively engage a public influenced by mediated fictions and develop polyphonic exhibition strategies that bridge fantasy and history in ways that are both compelling and historically grounded.

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Publication Details

Journal
Ministry of Culture Research Portal
Published
2026-05-22
Primary Topic
European Cultural and National Identity
Type
article
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article

Mediating the Vikings:Popular Culture, Character Types, and Museum Audience Experiences

Nanna Holdgaard, Susana Tosca, Jon Mangerel, Ceridwen Amy Boel Kjeldsen et al.
Ministry of Culture Research Portal
European Cultural and National Identity
article

Mediating the Vikings:Popular Culture, Character Types, and Museum Audience Experiences

Nanna Holdgaard, Susana Tosca, Jon Mangerel, Ceridwen Amy Boel Kjeldsen, Sofie Broe
article en

Abstract

This article explores the dynamic interplay between Viking character types in popular culture and museum audiences. We examine how pervasive mediated Viking imagery shapes expectations, conceptualizing it as ‘character types’ activated in museum settings. Using qualitative interviews conducted at two Danish museums, we identify six dominant ‘Viking character types’: The Warrior, The Monster, The Explorer/Craftsman, The Feminist, The Style Icon, and The Non-Playing Character. Our findings show that audiences negotiate the tension between popular constructions of the past and historical scholarship, often expressing embarrassment, criticism, or rejection of fictional content. This highlights the Viking as an ‘open construction’ – a flexible character type that audiences fill with meaning. It is crucial for museums to understand these appropriations to effectively engage a public influenced by mediated fictions and develop polyphonic exhibition strategies that bridge fantasy and history in ways that are both compelling and historically grounded.

Ministry of Culture Research Portal
University of Southern Denmark (DK), Norwegian Environment Agency (NO), Sax Institute (AU), National Museum of Denmark (DK)
Openalex Percentile: Top 2%
European Cultural and National Identity
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