Pedagogical Memorials, Vedantic Consciousness and Ethical Selfhood in Contemporary Haryanvi Ragni Tradition

This research article examines selected spiritually and philosophically oriented Haryanvi Ragnis composed by Anand Kumar Ashodhiya through interdisciplinary frameworks of Pingal prosody, oral tradition studies, folk-performance aesthetics, Vedantic consciousness and ethical sociology. The study analyses themes of guru-veneration, devotional consciousness, social ethics, cultural memory and vernacular metaphysics within contemporary Haryanvi Saang-Shaili traditions. Special emphasis is placed upon Chhand architecture, Yati structure, Guru-Laghu sequencing, refrain systems and performative cadence within North Indian oral-poetic traditions.