A commentary in 'Art, Aesthetics, and Evolution'

A response to Anthony Lock's paper "Evolutionary Aesthetics, the Interrelationship between Viewer and Artist, and New Zealandism," ASEBL Journal 11.2 (2015): 47-48. (Special issue on 'Art, Aesthetics, and Evolution'). Among the topics addressed are the notion of consilience, 'third culture,' evolutionary aesthetics and its relation to cultural critique, and the work of the New Zealand modernist painter Colin McCahon.

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Publication Details

Journal
Knowledge Commons (Lakehead University)
Published
2026-05-23
DOI
https://doi.org/10.17613/dznys-3k352
Primary Topic
Evolution and Science Education
Type
article
Field-Weighted Citation Impact
0.00
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article

A commentary in 'Art, Aesthetics, and Evolution'

José Ángel García Landa
Knowledge Commons (Lakehead University)
Evolution and Science Education
article

A commentary in 'Art, Aesthetics, and Evolution'

José Ángel García Landa
article en

Abstract

A response to Anthony Lock's paper "Evolutionary Aesthetics, the Interrelationship between Viewer and Artist, and New Zealandism," ASEBL Journal 11.2 (2015): 47-48. (Special issue on 'Art, Aesthetics, and Evolution'). Among the topics addressed are the notion of consilience, 'third culture,' evolutionary aesthetics and its relation to cultural critique, and the work of the New Zealand modernist painter Colin McCahon.

Knowledge Commons (Lakehead University)
Universidad de Zaragoza (ES)
Sustainable cities and communities
Openalex Percentile: Top 1%
Evolution and Science Education
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A commentary in 'Art, Aesthetics, and Evolution' — José Ángel García Landa · Knowledge Commons (Lakehead University) (2026) | TGRS Research Map | TGRS