Digital Archives as a Public Good: The Letters 1916-1923 Project

How can digital archives help societies confront contested pasts without merely replicating traditional historiography? Designing participatory digital commons can be a way to transcend the concept of digital archives as static repositories but make them sites of active, multi-voiced memory. Ideally, digital archives also challenge dominant interpretation frameworks and offer an important counterpoint to extractive (social media) platforms. Our paper explores how the Irish Letters 1916-1923 project, through its infrastructure and ethos, can serve as a model for participatory knowledge infrastructures.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-05-22
DOI
https://doi.org/10.5281/zenodo.20347224
Primary Topic
Digital Humanities and Scholarship
Type
article
Field-Weighted Citation Impact
0.00
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article

Digital Archives as a Public Good: The Letters 1916-1923 Project

Susan Schreibman, Emma Clarke, Monika Barget
Zenodo (CERN European Organization for Nuclear Research)
Digital Humanities and Scholarship
article

Digital Archives as a Public Good: The Letters 1916-1923 Project

Susan Schreibman, Emma Clarke, Monika Barget
article en

Abstract

How can digital archives help societies confront contested pasts without merely replicating traditional historiography? Designing participatory digital commons can be a way to transcend the concept of digital archives as static repositories but make them sites of active, multi-voiced memory. Ideally, digital archives also challenge dominant interpretation frameworks and offer an important counterpoint to extractive (social media) platforms. Our paper explores how the Irish Letters 1916-1923 project, through its infrastructure and ethos, can serve as a model for participatory knowledge infrastructures.

Zenodo (CERN European Organization for Nuclear Research)
Maastricht University (NL), Dublin City University (IE)
Industry, innovation and infrastructure
Openalex Percentile: Top 2%
Digital Humanities and Scholarship
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