Voice for justice: Hybrid cultural resistance of hip-hop songs and memes in July mass uprising, Bangladesh

This study investigates how hip-hop songs and memes operated as cultural and political alternative expressions during the July 2024 mass uprising in Bangladesh. The student-led movement, initially focused on quota fairness and accountability, evolved into the Chattro-Jonata Obbhothan (Student-People Uprising) after widespread state violence and the killing of over a thousand protesters. Using a qualitative interpretive approach that combines textual and visual analysis, the study examines 10 hip-hop songs and 77 memes from five meme groups shared across Facebook and YouTube. The findings reveal that these cultural forms served as tools of hybrid cultural resistance , merging digital creativity with street activism, and as mechanisms for constructing collective identity and solidarity among protesters. The study argues that hip-hop and memes transformed everyday digital practices into critical political participation, challenging authoritarian control and inspiring civic engagement in protest.

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Publication Details

Journal
International Journal of Cultural Studies
Published
2026-05-22
DOI
https://doi.org/10.1177/13678779261452687
Primary Topic
Bangladesh Politics, Society, and Development
Type
article
Field-Weighted Citation Impact
0.00

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article

Voice for justice: Hybrid cultural resistance of hip-hop songs and memes in July mass uprising, Bangladesh

Tareq Hossain
International Journal of Cultural Studies
Bangladesh Politics, Society, and Development
article

Voice for justice: Hybrid cultural resistance of hip-hop songs and memes in July mass uprising, Bangladesh

Tareq Hossain
article en

Abstract

This study investigates how hip-hop songs and memes operated as cultural and political alternative expressions during the July 2024 mass uprising in Bangladesh. The student-led movement, initially focused on quota fairness and accountability, evolved into the Chattro-Jonata Obbhothan (Student-People Uprising) after widespread state violence and the killing of over a thousand protesters. Using a qualitative interpretive approach that combines textual and visual analysis, the study examines 10 hip-hop songs and 77 memes from five meme groups shared across Facebook and YouTube. The findings reveal that these cultural forms served as tools of hybrid cultural resistance , merging digital creativity with street activism, and as mechanisms for constructing collective identity and solidarity among protesters. The study argues that hip-hop and memes transformed everyday digital practices into critical political participation, challenging authoritarian control and inspiring civic engagement in protest.

International Journal of Cultural Studies
National University of Singapore (SG)
National University of Singapore
Peace, Justice and strong institutions
Openalex Percentile: Top 3%
Bangladesh Politics, Society, and Development
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