Introducing Folk Art to Young Children: Experience of an Innovative Paper-Cutting Project in Chinese Kindergartens

Abstract Art plays a significant role in children’s lives. Studies into art practices in early childhood settings have provided valuable implications for high-quality art curricula and pedagogy. These practices are characterized by encouraging free expression and meaning-making through art. However, teachers have reported that it is challenging to engage children in meaningful art experiences within a highly structured, test-driven curriculum. In the article, we address the current needs of art education in the Chinese context. In response to the needs, we present a child-centered approach to teach folk art through a bottom-up innovation of the art curriculum in Chinese kindergartens: The Freehand Paper-cutting Project. Through the exploration of this project, we offer three examples to demonstrate how the project was implemented. We discuss the three cases in a reflection of children’s learning process and teachers’ roles. Through the discussion, we emphasize the importance of balancing the play-based and meaning-making ideology with product-based and skill-based curricula. The article aims to bring insights to practitioners who are interested in introducing folk art to their classrooms.

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Publication Details

Journal
Early Childhood Education Journal
Published
2026-05-19
DOI
https://doi.org/10.1007/s10643-026-02246-0
Primary Topic
Art Education and Development
Type
article
Field-Weighted Citation Impact
0.00
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article

Introducing Folk Art to Young Children: Experience of an Innovative Paper-Cutting Project in Chinese Kindergartens

Early Childhood Education Journal
Art Education and Development
article

Introducing Folk Art to Young Children: Experience of an Innovative Paper-Cutting Project in Chinese Kindergartens

article en

Abstract

Abstract Art plays a significant role in children’s lives. Studies into art practices in early childhood settings have provided valuable implications for high-quality art curricula and pedagogy. These practices are characterized by encouraging free expression and meaning-making through art. However, teachers have reported that it is challenging to engage children in meaningful art experiences within a highly structured, test-driven curriculum. In the article, we address the current needs of art education in the Chinese context. In response to the needs, we present a child-centered approach to teach folk art through a bottom-up innovation of the art curriculum in Chinese kindergartens: The Freehand Paper-cutting Project. Through the exploration of this project, we offer three examples to demonstrate how the project was implemented. We discuss the three cases in a reflection of children’s learning process and teachers’ roles. Through the discussion, we emphasize the importance of balancing the play-based and meaning-making ideology with product-based and skill-based curricula. The article aims to bring insights to practitioners who are interested in introducing folk art to their classrooms.

Early Childhood Education Journal
Beijing Institute of Education (CN), University of Hong Kong (HK)
Quality Education
Openalex Percentile: Top 2%
Art Education and Development
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